Yes, Live and Let Die is by Paul McCartney. Although for my part, I hate every Guns ‘N’ Roses cover I’ve ever heard, Knockin’ On Heaven’s Door most of all.
As for a nomination: I’m not going to say Cream’s Crossroads is better than the original, but I think it’s great stuff.
Marley, SSSHHHHHHH!!! You could say the same thing about Howlin’ Wolf’s “I Just Wanna Make Love To You,” or Leadbelly’s “Midnight Special,” or “Travelling Riverside Blues,” or “Love In Vain,” or “Train Kep’ A Rollin’,” or …
It’s always just a matter of time before someone says that Jeff Buckley’s “Hallelujah” is orders of magnitude better than Leonard Cohen’s original, so it might as well be me this time.
Eva Cassidy-Somewhere over the Rainbow (although I got give it up to Me First and the Gimme Gimmes version and Israel Kamakawiwo’ole’s hybrid with “What a Wonderful World”
Emmylou Harris-Love Still Remains (amazing cover of a Kate Wolf song sung with such tenderness)
Never The Bride-Going to California (I just love smokey vocals and this band has 'em, very nice cover of a Zep tune).
Annie Lennox-White Shade of Pale (Smooth Procol Harem cover)
Nanci Griffith-Morning Song for Sally (the saddest song about a short love slipping away originally done by Jerry Jeff Walker)
Okay, just to tidy this up … Jacques Brel first wrote the song in 1961. The Kingston Trio sang it in 1964, and as far as I know were the first to sing the Rod McKuen English translation.
The Fortunes released it in 1969 as far as I can tell, though they probably were singing it before then. The Beach Boys sang it in 1972 (but didn’t release it, prompting producer Terry Jacks to release his own version a year later.)
Not having heard each one I can’t say which is the best, but I can definitely say any of them would be way better than the Terry Jacks version (even if that was the only one to hit #1).
REM’s “Wall of Death”, though only subtly different, somehow has way more emotion than the original (by Richard Thompson).
I like the Dead Kennedy’s cover of “Take This Job and Shove It” better than the Johnny Paycheck version.
I’ll also nominate the Pogues’ cover of “Honky Tonk Woman”, though this will no doubt be blasphemy to Stones fans.
Cowboy Junkie’s cover of “Sweet Jane” deserves some kind of mention, though I can’t say it’s superior to Lou Reed’s version–equal to it, more like.
I’ll second Johnny Cash’s cover of “Hurt.” I liked the NIN version, but with his voice, Johnny’s able to tap into an entirely different (and maybe deeper) dimension of emotional suffering and loss.