Darn you to heck - I was going to post this to explain about Hinterland’s Who’s Who - Spiders on Drugs. 
I’d have to go with The Summit Series as Canada’s Epic.
Does a country’s “national epic” have to be made within that country? Of course, that seems like the most natural progression and the most authentic scenario, but who’s to say that Hollywood couldn’t create a film based on a popular Canadian legend or historical event that resonated with Canadians.
I’m struggling to come up with any examples, but I have to think something like this has already happened before for some country. Hollywood has a history of mining foreign culture for new ideas. Maybe something like Letters From Iwo Jima?
Seems like the railroad would be a good subject for said epic.
Like burning down the White House in 1812? 
I vote for 2112.
Make it 2012. A United States of Canada can’t possibly be more f’d up than what we’ve got now.
Does The Hockey Sweater count as an epic-ette?
My step-cousin wrote this book
I read it not too long ago and I loved it. I doubt most Canadians can relate, though, so perhaps not “epic” in the sense we are looking for!
Heather also has a book of poetry, “Two eyes are you sleeping”, which is also very good.
Another Québecois one, along the lines of Gone with the Wind might be "Les filles de Caleb, by Arlette Cousture. Many people will have read it or seen the mini-series at some point in their lives, in this province.
We keep coming up with Québec works… if we are talking about something “historical” like GWTW, then pretty much we are going to be restricted to what was once Upper and Lower Canada, and the language differences make up a really large part about who we are and where we come from as a nation.
Dewey Finn - The Tim Horton’s commercials… really, who hasn’t felt connected to one of those?!?
The American Astronaut or Jesus Christ, Vampire Hunter. My favorite Canadian movies.
Ooh, ooh, that makes me think of a good one - the “I Am Canadian” commercial story. We laughed, we cried, we said, “Yeah, that’s just what it’s like here…”
I’m waiting to see how The Owl and the Man will play out.
My favorite story about a Canadian movie concerns The Crimson Paradise, Canada’s first all-talking picture. Made entirely on location in British Columbia, it opened in Vancouver in 1933 to sellout business.
All traces of it have long since disappeared.
That’s right, a smash hit movie that could have been the pride of a nation was just tossed aside and lost.
You folks are self-effacing to a fault sometimes.
Amen to that.
Or Six Degrees of Inner Turbulence by Dream Theater, who are 1/5 Canadian.
Have you ever heard the Avro Arrow story?
How about William Vollman’s books?
Fathers and Crows or The Rifles for instance… He’s not Canadian, and the series will eventually cover all of North America but these two are all set in Canada, iirc.
And The Ice-Shirt covers earlier Greenland/Eastern Canadian history.
As far as novels go, Mordecai Richler’s Solomon Gursky Was Here is possibly the most epic, sweeping as it does back and forth across the country over the course of a couple centuries. It has everything you want in an epic – deep historical background, failed romance, extreme wealth, crushing poverty, blinding ambition, tragic figures, criminal undertakings, and every other typical epic requirement. As usual with Richler’s books, it was a great read as well, through it clearly wasn’t to everybody’s taste. All of Richler’s work is about the exalted and the flawed and the failed. His iconic heroes and anti-heroes are all over the place: the Star Maker, the Boy Wonder, Duddy himself, Atuk, the Horseman, Dr. Dr. Mueller, Solomon Gursky and Boogie for starters. It’s rare to have a Richler novel where there isn’t some impossibly larger-than-life but very flawed figure. It was Richler’s reaction to Canada’s whiny, smaller-than-life, apologetic, snivelling character.
Why Canadians can’t manage a decent film based on his works is beyond me. Duddy was OK, but *Joshua Then and Now * was awful.
On the French side, I’d personally go with Bonheur d’Occasion, by Gabrielle Roy. Good book and a pretty good movie. Or maybe Anne Hébert’s Kamouraska. But French Canadians excel in celebrating their culture in epic form. There have been a number of epic series in print by Chrystine Brouillet and Micheline Lachance. And films such as Jesus de Montréal and La face cachée de la lune have an epic feel to them.
As far as English-language film goes, it’s tough, because the national market isn’t huge, the international market has no interest in Canadian epics, and the English-language competition is absolutely ferocious. There have been a few films mentioned above that are worthy, but mostly unseen. I have a fond spot for Goin’ Down the Road, laughable as the film now seems.
The film Last Night, in its own way, is almost a joke about the impossibility of a Canadian epic. The world is about to end, and Canadians, for the most part, dutifully go about their business.
Yup.
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The Sweet Hereafter
Sarah Polley plays the lone survivor of a school bus tragedy that takes the children of a town. Based on the book by Russell Banks, Atom Egoyan made a heart-wrenching film.
Other films by Egoyan you shouldn’t miss include “Exotica” and “The Adjuster.” -
Videodrome
David Cronenberg is a close second, and no movie before or since epitomizes his surreal, subversive work as the twisted horror of “Videodrome,” starring James Woods and Deborah Harry.
All of his other films are worth checking out, however, especially “Crash,” “Dead Ringers,” and “Naked Lunch.” -
Roadkill
Bruce McDonald’s low-budget rock’n roll road movie, co-written by Don McKellar, has become a cult classic. -
Last Night
Don McKellar’s surprisingly touching End-of-the-World drama “Last Night,” which successfully combines millennial hysteria and intimate portraits of people who know the end is coming. -
Trailer Park Boys - The Movie
Mike Clattenburg’s adaptation of his cult hit TV show is simultaneously hilarious, caustic, raucous, and touching.
C C
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No love for Men with Brooms? I’m shocked!