Dubbing music onto cassettes

Here’s a question I wish I had asked 15 years ago, when I got my first CD player. I dub selections from my CDs onto tapes (my own idiosyncratic mixes, if you will), for use in the car. Because of sound conditions while driving, i need a much flatter dynamic level than what I have at home. So when I do the dubbing, I sit there with headphones on, constantly adjusting the volume as I tape. This works fine, until there’s an unexpected (or very frequent) change in dynamics, such as in many classical pieces. If I can anticipate the change, that’s fine, but in unfamiliar pieces it can be a nightmare.

Isn’t there an easier way to do this? Isn’t there a component that I can add to my stereo system to automatically flatten the dynamics, both diminishing the highs and augmenting the lows - without, of course, affecting the frequency range? Are there any of the new receivers that might have this feature?

And I’d like to have something that will still work when I get a CD player in the car, and start dubbing onto CDs.

And even better: if I get hardware enabling me to dub CD tracks on my computer, is there software that would flatten the dynamic range withoug having to monitor it in real time?

What you’re referring to is “compression”. Compression brings up the volume on soft passages while flattening the peaks. Sort of like the auto level control on portable cassette recorders, only much more sophisticated.

I’m not sure what’s available for the home audiophile, but the one we use in my studio and in live sound applications is made by DBX, and cost around $300.

It’s called a compressor. Musicians and studio engineers use them all the time to even out dynamics or squeeze audio into the limited bandwidth radio requires. A cheap, good quality, easy-to-use one is the Really Nice Compressor:

http://www.fmraudio.com

It also goes under the name of “compandor”, short for compressor-expander. Here’s a link to one:
http://www.portset.co.uk/compand.htm

A friend of mine had one in his car for just this reason. That way he didn’t have to record the tape compressed- anything he played through his car amp become compressed with the compandor. It was a box about the size of a box of cigarettes, with two compression settings. I can’t remember the name of it though :frowning:

Arjuna34