Salah Abdel Sadek, the head of Egypt’s State information Service, talked about violent video games, and said that those and Tom and Jerry are too violent, they make violence funny or okay, and hints at them justifying ISIS’s existence.
On one level I want to ask WTF? But he has a point. Tom and Jerry, Road Runner and other cartoons, and characters like Elmer Fudd are sure violent. And so too are many games.
I haven’t seen much Tom and Jerry, but the lesson I take from Wile E. Coyote, Elmer Fudd, et al is that it is the would-be predators and perpetrators of violence who end up being hurt and humiliated by it. Which is a lesson I wouldn’t mind ISIS learning.
I never really liked Tom and Jerry. Perhaps it was the lack of dialogue. Now, the Road Runner, Bugs and Elmer, and even Popeye, those I liked. I don’t think I ever was confused by the difference cartoon violence and real-world violence.
Golly, this suicide bomber wasn’t ISIS after all. Look, it’s old Mr. Neely from the haunted Small World ride!"
“Hey, I bet it’s not really haunted…”
“And wait just a minute… these explosives on his vest are really… red licorice!”
I certainly think video games are way too violent, but I don’t blame them for subsequent behaviour. If anything it’s a good way to take out anger issues in a safe environment.
That’s the point. Or a point. That it’s okay, maybe even good, to process anger or frustration by pretending to blast away people in a game. There are better ways to process that anger. Sports, like a tough game of basketball for example, is one.
Perhaps, although it always seemed to me that Tom was supposed to be the bad guy, even though he was only doing his job, keeping the house free of vermin.
Actually, I found Tom and Jerry very one note and repetitive. Tom chases Jerry, Jerry slams Tom with object, or Tom runs onto something, Tom’s body takes the shape of whatever hit him, Tom’s body pops back to normal, chase continues. Rinse and repeat, very unimaginative.
Now, in the Roadrunner cartoons, Wile E. had all sorts of wild complicated contraptions that you always knew would fail, but you never knew quite how until the reveal. Sometimes the same gadget would fail in several different ways, as with the rock catapult. Once, Wile E. released a load of flying bombs, which of course, came back to blow up his plans through the rest of the cartoon. These sequences were brilliantly, and fiendishly conceived.
For some reason, it was Tom and Jerry who kept racking up the Oscar nods. A grave injustice. I couldn’t swear to it, but I’ve always felt that because Tom and Jerry were from MGM, the prestige studio, they were favored over the more working class Warner Brothers animated bunch.