You were doing fine until you hit the last bit. Almost every book ends with the young hero in a low-ranking salaried position with room for advancement. The “rags to riches” trope is rarely the case with Alger; it’s “rags to respectability.”
Steig Larrson: Sweden is full of crazy psycopaths, Nazis, rapists, child molestors, and misogynists, except for me, er…I mean Mikael Blomkvist, that guy is awesome and gets laid a lot.
Ayn Rand- Misunderstood egoistic genius(es) tell society to stuff itself, blow up shit, get persecuted- a lot, finally get laid- a lot!
Father Andrew Greeley- Confused Irish Catholic gal and confused Irish Catholic guy get thrown together by Love-Crazed Irish Catholic God, oft with help of smartass Irish Catholic cleric. This could be set in 1000 B.C. Africa & the Black Animists in the story would still be Irish Catholic.
John Irving: A bunch of improbable characters go through a lot of violent events involving motorcycles, bears, rape, boarding school, Austria and wrestling, to no purpose.
Dean R. Koontz: Weird shit happens, a guy and his dog investigate, meet a girl who falls in love with the guy under the glow of a sodium-vapor streetlight, and in the end they figure out what alien/voodoo priest/supernatural entity/rogue psychic government agent/psychopathic child with paranormal abilities/genetically engineered monstrosity was behind it all and find the one flaw that can defeat the enemy’s near-omnipotent abilities.
Nabokov: Story within a story about a sexually perverted but intellectual and multilingual guy who does nothing productive for an entire book, but waxes gradiloquently about it.
James Butcher: Wizard detective gets crap beaten out of him trying to solve murder, turns out culprit was another wizard (or wizard-vampire), commence climactic magical shoot-out.
(actually just the Dresden novels, I’ve never read his other stuff)