Well, I saw it in '77. Was 16 at the time and have a lot of fan stuff that was released as it was getting evident that this was a blockbuster. Think of it as “the making of” we get on TV and DVD nowadays, but in printed form. It sure ain’t called “A new Hope”.
All during the 70’s, I was in my teen/geek/SF years and consumed most of Heinlein, Asimov, Clarke. Space:1999 kept me glues to the TV. So I was space-struck and gobbled anything Staar Wars.
Now, when I look back I realize a couple of things:
- Starwars and Spielberg’s Jaws really changed the whole movie industry. Fewer movies, bigger budgets, but also bigger profits. Lucas and Spielberg are just two kids, who grew up watching matinees at the local theatre and then struck lucky and made gazillion dollars out of it. In doing this, they paved the way for all the Big Special effects movies that were to dominate cinema till now.
- But when Lucas and Spielberg got started, they had stories to tell. And that’s the most important thing. We all bought Star Wars, because it was a classic saga of good and evil, young lovers unable to get it on, brilliant settings and special effects for the era. Lucas took the money from American Graffittti and spent it well. And this whole time he’s just been doing two things: re-tell stories from his childhood and things about his own teen years.
- And good movies, books, TV, depends on one thing. Tell the story. And lucas no longer has a story to tell. Ep’s 1+2 is dazzling, techically brilliant and totally void of any story.
- A good writer ‘jumps to the chase’ by cutting out the backstory and getting right into the action. Most movies work like this. Books too. Start with a dramatic twist, then - briefly - tell the backstory, then continue with the setup of the protagonist, the antagonist and the basic conflict. For the drama to work, our hero must have a flaw, something he needs to overcome to gain his goal (The achille’s heel, as seen in Die Hard. Bruce Willis is afraid of heights and where is he stuck?). The character must also go through some evolution, and hopefully come out a better person, in the eyes of the audience. Basic drama. The Greeks started it.
But Lucas doesn’t have anything more to say, so he’s exploiting the back story, which was cut from the first episode, and is now trying to sell prequells. Since the galaxy was saved at the end of RoTJ, there is no more story to tell there.
Let’s face it. All our talking about what he meant and what he’s trying to achieve… It doesn’t matter. 'Cause Lucas hasn’t got anything to say anymore.