I like a lot of Dave Edmunds songs that are covers. I like his “Girls Talk” better than Elvis Costello’s, and his “I Knew the Bride When She Used to Rock and Roll” better than Nick Lowe’s and “Queen of Hearts” better than whoever wrote the song. And his “Get Out of Denver” is better than Bob Seger’s.
Oh, and Louis Armstrong’s “Stardust” is the best version of Hoagy Carmichael’s song, ever.
Yes! That Sundays cover was one I was thinking of before I made this list, and then forgot about it by the time I was at a computer. U2 also did a cover of Wild Horses which I like better than the Rolling Stones original, but not as much as the Sundays cover. I agree about the “Painted Black” cover, too.
Rodrigo y Gabriela did a lot of flamenco-inflected but otherwise spot-on covers early in their careers (and still do live), mostly Metallica but here’s Stairway.
There was a CD a couple decades ago that was all covers of Saturday morning cartoon themes. Liz Phair can sing “Fleegle, Bingo, Drooper, and Snork” and make it sound sexy.
Most of them are pretty good, but the Reverend Horton Heat absolutely kills the Jonny Quest theme; 1:41 of scorched-earth guitar perfection. (Technically, the song then segues into “Hold That Pigeon”, but you can just stop in the middle.)
That’s probably most people’s pick, but my personal favourite would be the Was Not Was version, which has a couple of great rap interludes in the middle of it.
Props also to Gabrielle Aplin’s recent version of Franke Goes To Hollywood’s Power of Love
The Bonzo Dog Band’s demented version of The Monster Mashis far superior to the original.
The Allman Brothers Band’s version of “Statesboro Blues” is the definitive version. I’m also fond of Alice Stuart’s acoustic version.
Quicksilver Messenger Service turning Bo Diddly’s “Who Do You Love” into a 25-minute epic, and also do a great job with his “Mona.” Come to think of it, their rendition of “Happy Trails” is also pretty damn good.
David Bromberg does a great version of Mr. Bojangles.