My point…and I apologize for getting hung up on POV…but who is it that’s observing that he looks like a weathered house? I doubt he’s thinking that about himself, at that moment. But half a paragraph later we’re in his head, so I find that confusing.
By the way, thank you chiroptera for the queryshark link, that’s awesome!
Well.. yeah, even if he’s not always actively thinking of it, he’s the one describing everything (omnisciently). I’m considering having him comment unfavorably on how he feels he’s fallen apart. I’ll leave the section sit for a while and then come back while I think about it.
Oh hell yes. Painfully. By this point (which the audience is not supposed to know) he’s lost everything - friends, family, life, and then finally walked away from his identity just to try to forget.
I’m thinking you might structure it something like this:
-A tense exchange of dialog.
-A physical description of the guy.
-A description of the woman.
-A description of the house.
-A continuation of the dialog.
The descriptions should all be one paragraph, and they shouldn’t contain asides, judgments, or the passive voice.
Ah, but the ones that do are exactly the ones who get in murderous fights over eggplants while wearing LEDs in their beehives. Didn’t pick up on THAT little detail, didja?
I thought it was a good book except for the part where he said you shouldn’t watch TV. Screw you, Stephen King, TV is my preciousssss. Besides, I have ADHD. I watch TV and write at the same time, for some values of “watch.”