Many of my business partners are, or have been, fundamentalist Christians. When I ride with them I have the opportunity to listen to typical on-air Christian music programming. Some questions, please:
[li]Why is it impossible for the stations to play an instrumental piece?[/li]
[li]However pivotal Jesus or God is in their life, is that the only topic worthy of thought or consideration?[/li]
[li]What is so repulsive about any other form of music like jazz, blues or world beat?[/li]
I will freely confess that these questions are, for me, rhetorical. My answers;
So many fundamentalists I have met reached their religion through desperation. Either self abuse through drugs or bad relationships seemed to drive them to their faith. As Dennis Miller says, “Nobody ever finds Jesus on prom night.”
I can only say that the strident and too often insistent tenor of the lyrics in Christian music are indicative of great insecurity. Quite the opposite of the message that they contain. In services that I have attended, there is a pervasive motif of constant self-reassurance and reinforcement, more akin to brain washing techniques than any sort of artistic expression.
The complete absence of instrumental pieces, or even instrumental passages further supports my own sense of the fragility of faith that must exist for people who require such constant reaffirmation of what should be a given.
The total void of foreign language lyrics or different musical styles also strengthens my perception that fundamentalists are pandering to a narrow market of mindsets. Whatever happened to the all-inclusive nature of religion?
What has become of some of the most beautiful passages ever written in the name of God? J.S. Bach’s instrumental work, all of which he dedicated to his creator, is so moving in its artistry that I am often inspired to consider the tennets of his faith as well. How is it that these magnificent works are incapable of transmitting the less complex message contained in the repetitive content of modern Christian music broadcast media?
I know that there is also Christian “rock” music but that too suffers from the strident nature mentioned above. Why is it that gospel, which centers heavily upon blues and semi-jazz formats seems to be so unacceptable to fundamentalists? How is it they are seemingly unable to acquire any inspiration from these styles as well?
Anyway, I welcome the input of everyone here, religious or not, about this odd facet of modern fundamentalist religious music.