Genuinely clever foreshadowing

I’m a long-time Futurama fan but only just discovered tonight that in the original pilot, when Fry is cryogenically frozen, you can see the shadow of Nibbler pushing him into the freezer, when it previously appeared he had just felt from leaning back too far on his chair. A few years (and seasons) later, the pilot episode was revisited in another episode and we learned the truth about what happened in that scene, but more amazing to me than the fact that I didn’t notice Nibbler’s shadow until now (despite having seen the pilot ep dozens of times, and knowing the extra backstory) is the fact that the creators of Futurama really did plan ahead.

This sort of thing is one of my favorite parts of any kind of fiction and I’d like to make a thread for everyone to post their favorite examples of this kind of thing in all forms of fiction. What are your best examples of something being mentioned, shown, referenced or just implied in a TV show, movie, cartoon, book series, whatever, a long time before that thing became relevant or important? I don’t specifically mean regular foreshadowing, since that is mainly open to interpretation, but rather examples of this kind of faith to the original story arc that really took genuine planning and were absolutely intentional. In other words, I’m not really after things that can be ambiguous, like foreshadowing of deaths just because five chapters earlier the dead guy was the 13th man to sit down at the dinner table or something. The kind of thing you may only catch on your 2nd or 3rd reading or viewing, or like me, not even know until you read about it online.

To give a few more examples, here are a few from the Harry Potter book series. Granted, the HP series has it’s fair share of things Rowling just kind of stumbled into, but there are some good instances of this kind of forethought in the books:
[ul]
[li]Philosopher’s Stone: The Weasley twins get in trouble for bewitching snowballs to follow Professor Quirrell around, smacking off the back of his turban. As we find out at the end of the book, what was actually going on was Fred & George were thumping snowballs off Voldemort’s face.[/li][li]Order of the Phoenix: Hermione, despite trying to stop Fred & George’s sweet shop business, inadvertently contributes to their success. Harry gets his hand sliced up by Umbridge’s detention quill: Hermione recommends he use Essence of Murtlap to heal the wounds. A hundred pages or so later, Lee Jordan gets in trouble with Umbridge and is subjected to the same quill. Harry tells Lee to use the Murtlap. Another hundred pages go by, and one of the twins’ best candies for faking illnesses is ready, thanks to the fact they recently found a way to cure a bad side-effect. They say they used Essence of Murtlap to remove this side-effect, and that “Lee put us on to it”.[/ul][/li]
Another example: I don’t watch a lot of TV beyond cartoons, and admittedly this isn’t stunningly clever, but rather it was nice: in NCIS, in the first season the agent Kate Todd makes a passing reference to her sister. Several seasons later (5 or 6), we meet a woman trying to become an NCIS agent, and later learn she was Kate’s sister, trying to find out how her dead sister lived. My memory’s a little hazy on this (I don’t watch a lot of TV), but I think they went so far as to have Kate say “My sister in California” or something of that effect, and then, years later, introduce this new woman as being from the same place, and it’s one of those things that jumps out at you the 2nd time you watch the series all the way through.

Anyone got some good examples of this kind of thing?

I’m pretty sure in the original airing of the pilot, Nibbler’s shadow isn’t there.

I’m pretty sure you’re dead wrong.

The only time it wasn’t there was in a later What If Scenario:

Most sources say it is. I’ve heard several say it wasn’t also. I don’t have a copy of the pilot, but if it wasn’t there then there’s been a brilliant hoax. Wikipedia says it was there and planned by David X. Cohen.

In the lamentably overlooked Oscar-snubbed film Wayne’s World 2, there is a seemingly innoculous scene wherein the protagonist encounters some gentlemen doing a day’s labour on a public street. Wayne, the protagonist, and his stalwart companion Garth have a brief conversation with a labourer credited simply as “Chicken Man”. Chicken Man explains the tasks of each of the street labourers.

Wayne: Excuse me, what are you guys doing here in the middle of the street?
Chicken-man: Well, I’m putting these chickens in crates, and stacking them right here. Jim’s job is to make sure we always have plenty of watermelons.
Wayne: Oh, so you’re selling watermelons.
Jim: No, no sir. We just have to make sure we have plenty of them stacked at all times, just like with these here chickens.
Garth: What do these guys do?
Chicken-man: Well, their job is to walk back and forth with this big plate-glass window every couple of minutes.

Now, originally I had just thought that this scene was inlcuded simply to color and fleshout the narrative landscape. As the scene concluded, I thought nothing more of it. Later in the film however . . .

There is a chase scene. The chase ends up taking a path down this very street where we met the innocent labourers. Various destructive collisions occur as the chase tears down the small street. The watermelons are smashed, exploding bright pink and green across the scene, the crates of chickens are disrupted sending escaped chickens to startle about in a flurry of feathers, and the unsuspecting gentlemen carrying the large plate-glass window are left stunned each holding on to an edge of the glass as it is shattered when the chase crashes right through it.Without the earlier scene, this later scene would have made no sense, but I was floored with awe when it all came together. I was not alone in my admiration. At the first screening of the film, when this pay-off scene played out, Shakespeare, Poe, Joyce, and Faulkner all rose from there graves to applaud.

Thank you for that bienville. That was perfect :slight_smile:

Far too many examples to list, suffice to say that Arrested Development is the most heavily foreshadowed narrative I have ever encountered.

The movie is 20 years old, but I’ll still spoiler it.
From Reservoir Dogs


The person who turns out to the the rat/cop is also the person who calls out (or rather rats on) Mr Pink for not tipping at the diner in the opening scene. Not overly clever, but you might not notice it if it wasn’t point out to you just because it was so subtle.

Memnto is one big foreshadow…or is it postshadow?

The entire first season of Babylon 5 is foreshadowing for the next 4 seasons.

Hot Fuzz has a number of them, though my personal favourite is from a conversation fairly early in the film. [spoiler]Sergeant Nicholas Angel, recently and involuntary transfered from London to the small town of Sandford, gets a mixed reception from the local officers, including some snideness from the Detective-Sergeants:

DS Andy Wainwright: You do know there are more guns in the country than there are in the city.
DS Andy Cartwright: Everyone and their mums is packin’ round here!
Nicholas Angel: Like who?
DS Andy Wainwright: Farmers.
Nicholas Angel: Who else?
DS Andy Cartwright: Farmers’ mums.

Much later on, after Angel uncovers the bizarre and murderous cadre of village elders, he drives into town and encounters one of them, a farmer named James Reaper. Reaper sees Angel and immediately yells “MOM!” and an elderly lady appears and opens up on Angel with a double-barreled shotgun.[/spoiler]

Willow: It’s horrible! That’s me as a vampire? I’m so evil and… skanky. And I think I’m kinda gay.

BtVS is full of foreshadowing.

Of course, in Hot Shots, there’s the sidekick character nicknamed Dead Meat.

He does not survive.

Edgar Wright seems to really like this sort of thing. One of the best from Shaun of the Dead, is
this line early on encapsulates the plot, but in a non-obvious way (talking about what they should do tomorrow) :

The secret to the big trick in The Prestige is carefully explained to the viewer at least a couple of times before the reveal. We just don’t believe it.

I don’t remember that.

Pretty much the entire movie The Sixth Sense.

That’s not really foreshadowing though, since the actual event happens in the beginning. It’s more like building up towards a climax/reveal/twist. At least as I recall, I haven’t seen it since it came out.

Nothing has ever touched B5 for sheer storytelling coherence. I love that an issue raised in the pilot is not resolved until the very last episode of the series (not counting the two postscript eps). We’re into the 5th season now on an umpty-umpth watchthrough, and I’m still finding subtle connections and details JMS buried in the arcs.

Which is one reason I have so much rage towards the Battlestar remake - they had it in their hands to outdo B5, and they were doing it… until they just shot off the edge of the cliff with the disconnected ep-by-ep nonsense you expect from such shows.

My favorite in this category is the inverted foreshadowing of Star Trek II. What did everyone (unavoidably) hear about this movie in advance? Spock dies.

What happens in the opening scene? Spock ‘dies.’