Great books

on the lines of the previous thread by someone…great post btw.
Has anybody ever read the classics?

iliad, odyssey, don quixiote, the republic, decline of the roman empire, the inferno?

i love to read. mostly history and biographies. but i feel that no matter how many books i’ve read, as long as i haven’t read the ‘classics’, i’m still not well read.

what constitutes being ‘well-read’

i wanna be a snob. help me out. if i were to read:

1 biography
1 epic
1 historical account

which 3 books should i read? ideally i’d love to hear from people who has actually read the books.
currently i’m working through 3 but am close to completing them

1 biography - winston churchill
1 epic - romance of the three kingdoms
1 historical account - the neanderthal enigma

why 3 at time? just like flipping channels. there aer dry spots in every book. small break only serves to revive interest.

thanks
pep

I just finished reading Tales of the Arabian Nights recently. Now I understand why they call them Classics. Highly recommend it, although parts of it read like a trashy romance novel.

Three at a time??? Come on now. Step it up a few notches. At any one point I am ready anywhere between 10-40 books. I get books from various University Press’ to read and critique. Usually review copy. Plus, being a prof I read all new editions of the texbooks we get - yes we actually do know the new editions:) - and I read for leisure.
Currently for fun I’m into A Gental Madness by Nicholas Basbanes
Extraordinary Popular Delusions and the Madness of Crouds by MacKay
Lonesome Dove McMurty (I like Westerns)
and The Lobster Chronicles because I like Linda Greenlaw.

King captured my fancy with the Dark Tower series…but now I’m laying in wait…

For the past couple years, every time at a loss for something to read, I go to the Nobel Prize website and find an author that’s unfamiliar to me. I’ve discovered some novels that have become extremely important to me; some real timeless classics. I recommend sampling randomly, staying away from the ones you know, like Hemingway and Steinbeck, et al. (though I do insist that everyone in the world read every word that Samuel Beckett ever even thought about writing).

I’d be happy to point out specific recommendations, but try the random approach; you won’t be disappointed.

Biography : Civil War by Julius Caesar
Epic : Epic of Gilgamesh
Historical Account : The Histories by Herodotus

Most of these you can get through Penguin Classics so it won’t cost much.

I’d say grab some Robertson Davies if you feeling particularly nationalistic.

Hmmm. All I’ve ever read is Waiting For Godot. Help me out here please.
a) If you had to recommend only two books of his, what would they be?
b) and why?

Thanks.

Maybe this is off-thread.

I have been re-reading a 20th century classic for thirty years: The Master and Margarita, Mikhail Bulgakov.

This first saw light of day in the 1960s, banned in native Russia, smuggled to the West.

A biting satire on the crushing Soviet state system, the devil visits Moscow, wreaks havoc where it is due, amd offers reward to a deserving few.

I do not wish to tell you if “the gal gets the guy.”

This is a technicolor masterpiece, written without the influence of cinema, television, or the benefit of what we now regard as modern creativity. He was brought up under Stalin’s frightening regime and this work sticks the finger up its most sensitive part.

There are many translations and I recommend you read them all: each offers a new dimension.

Molloy is a good introduction, and it’s the first of a trilogy, so I’ll overstep your request and recommend three.

Why? Because he’s a hoot. His stuff is often avoided because of a mistaken impression that it’s dark. Well, yeah, but it’s dark with a smirk. His stuff is about the light within the dark: the joy of life despite its hopelessness. Last line of Molloy: “I can’t go on. I’ll go on.” Think of David Sedaris, a little darker, a little dryer, but just as funny. His stuff isn’t defeatist, as dabblers might tell you; it just acknowledges the shifting realities of what’s good, what’s not good; what’s real, what’s not; what’s here, what’s now, what’s coming, where we’re going.

The opening of *Molloy:*

He’s always reminding you of the unreliability of language, of what you’re reading:

Plus I second “The Master and Margarita”

also good for Beckett fans; similar smirky darkness.

Thanks for your thorough response lissener. Are the three in the trilogy a single story ala Lord Of The Rings? Or just the same character(s)?

Neither; they’re a thematic trilogy: no plots or characters in common. You can get Molloy by itself, or you can get it as, I think, Three Novels, with Malone Dies and The Unnamable. Get it from a library.

Do yourself a favor Peppy, and read these books…

** Biography:______ The Devil is Dead by* R A lafferty*

Epic:_____________ Okla Hanali by R A Lafferty

Historical account:__ The Fall of Rome by R A lafferty**

Afterwards you will be a snob but you’ll forget why you wanted to be one.

Biography (or, rather, auto-biography): St. Augustine’s Confessions

Epic: Milton’s Paradise Lost

Historical Account: Bartolome De Las Casas’ Short Account of the Destruction of the Indies

My vote is for Stanley Lane-Poole’s Saladin: All-Powerful Sultan and the Uniter of Islam.

Satisfies all three and is imminently germane.

(If you’re into flagellation, read it thrice. OTOH, if you’re more practical, temper it with Menachem Begin’s The Revolt, then finish off with The Handmaid’s Tale by Margaret Atwood).