I’m pretty sure the animated film Fantastic Planet has one or more of these in it - there is certainly a wide range of unusual-looking alien beasts. Can’t recall a specific one though, but I haven’t watched it in a while.
Then there’s Liquid Sky. Space aliens develop a taste for a chemical that’s secreted in human brains only at the moment of orgasm.
At one point the lead character actually says “This pussy has teeth.”
There was a film called Chatterbox about a talking vagina. Don’t think it had any teeth, though.
They’re going to film Dan Simmons’ Hyperion; I wonder if they’ll show the scene where the hot warrior chick Moneta turns into the barbed and thorny Shrike while Kassad is boinking her. He gets away by, IIRC, “a moist millimeter”.
There’s also Predator, in which a group of sweaty, half-naked musclemen with enormous weapons are picked off one by one by an invisible alien hunter which finally unmasks itself to reveal a, um, pussy for a face. A snapping pussy adorned with gigantic spikes.
{On preview, I see CalMeacham got there first}
Species. She mates and she kills.
Actually, she mates as she kills.
There’s an anime called Blue Gender where the alien creatures all have toothy vagina’s for mouths. Man, that’s a depressing anime.
Monsters, Inc. is a perfervid stew of Freudian anxieties: within every bedroom is a dark closet; lurking inside that is a furry, horned, toothed or scaled beastie just waiting until you’re in bed to emerge and extract your vital essence. One monster even inserts a set of teeth before entering the closet.
And let’s not forget the Scream Extractor, as a literal one-eyed monster, bound helplessly, is confronted by another monster, this one a literal polymorphous pervert who wields a great sucking orifice ready to denude Mike of his masculine vitality. So, John Lasseter, tell me about your mother…
The Teletubbies - a show about infant-like creatures who begin every show by emerging from a large hole in the (mother) Earth. They end the show by crawling back inside.
I’m hoping this isn’t much of a spoiler, but I always thought the closet doorway at the end of Poltergeist looked a little strange. It’s when everything is back to “normal” and then stuff starts happening again. The mom has just taken a bath and the kids are in their room and then the doorway starts going crazy and there’s this fleshy looking tube inside. Y’all remember that?
The first time I saw The Dark Crystal in a theater, some wiseacre shouted “Vagina dentata” upon the initial appearance of Fizzgig.
In Alien, the ship itself (“Mother”) packs that imagery. Deltoid-shaped interior doors, dark, moist, scary corridors and ductwork, within which lurks a very toothy monster…
The original blob in The Blob is pretty symbolic. All these teenage boys and men are encountering the blob (I don’t recall precisely, but does the blob kill any women or girls in the entire movie?) and getting consumed… by this amorphous, flexible, fleshy, pink, all-devouring blob.
And aren’t the alien-looking pod stage props in **This Is Spinal Tap ** also pink? It would have to be the mustached bass player who gets [temporarily] trapped, too, wouldn’t it? The others were either too ambiguously masculine or, like the drummer, implicitly doomed, anyway.
And how about Audrey in Little Shop of Horrors? Flowers have always been symbolic of the feminine, and in fact are botanical sexual organs (or, technically, they house the sexual organs).
Then there’s the massive, tentacled, turbo-powered and very toothy undersea monsters in Deep Rising. One character got gulped whole, then was freed later when his colleagues destroyed the tentacle he was in, and the poor, dying, agonized, and half-digested guy experiences a grisly rebirth of sorts on the ship floor. And poor Wes Studi (who played the bad guy who gets it at the end) – his character got noshed feet-first, and way too slowly for comfort.
Two more:
– the “graboids” from Tremors, which manage to suggest both the phallic and vaginal.
– the whole temple/tunnel complex that Indiana Jones raids for a golden idol [symbolically, maidenhead] in the first Indiana Jones movie.
Actually yes, one woman at least dies, the doctor’s nurse.
Well, she was probably a lesbian anyway. [d&r]
The Tremors graboids don’t kill any females, do they?
There’s a really bad 1991 film called Steel and Lace, about a woman who’s gang-raped and commits suicide when her assailants are acquitted. Her brother, a mechanical genius, builds a robot that looks exactly like her to exact revenge on the rapists. At least one of them is done in when the robot lures him into a tryst and then basically turns on her vaginal buzzsaw.
There was an intentional bite in Wes Craven’s The Last House on the Left when the mother of one of the victims leaves her mark on one of the rapist/murderers. It’s filmed a bit more explicitly than the Garp scene, too.
There is a scene in The War of the Roses in which every woman in the audience bursts out laughing, while every man in the audience cringes and crosses his legs.
The end of Starship Troopers contains sort of a reverse vagina dentata, when a “scientist” plunges what looks like a bladed dildo into a bug’s vaginal orifice. Man, that was icky.
Daniel
There’s also the closing credits of Toy Story 2, in which Mrs Potato Head shoves a pair of gnashing teeth into Mr Potato Head, via his rear orifice: I tell you, that Lasseter guy’s got some serious issues.