[QUOTE=silenus]
As a pair, Mediterranean Sundance and Splendido Sundance by Al Di Meola. Two times when lightning fingers actually brings out passion instead of just flash.
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Mediterranean Sundance would have been my vote. I just played it last Wednesday for the college convocation. I love how they can play so fast and still be so clean and melodic. We were a pale imitation of Al and Paco (90 beats per minute as opposed to 105) but it was a ton of fun. (I had Al’s part and another student had Paco De Lucia’s).
Some really great tracks mentioned here already. The Secret Policeman’s Other Ball seems to have brought out the best in all involved as the performances are all fantastic and my favorite versions of each song.
A Night in San Francisco with Al DiMeola, John McLaughlin, and Paco DeLucia is an outstanding album and includes the already mentioned Mediterranean Sundance.
I’ll add Little Martha by Duane Allman and In The Arms of Mary or Busted Bicycle by Leo Kottke.
Vincent Black Lightning, Richard Thomson. May you Never, John Martyn. Cello Song, Nick Drake. Road, Nick Drake. Bron yr Aur, Led Zep.
Pretty much anything on Song to a Seagull, Joni Mitchell.
Pretty much anything by Bert Jansch.
Anything by Leo Kottke, who bluouws my mind.
I should point out that new Swedish singer-songwriter José González (yes, he is Swedish though his parents are Argentinian) is the only guitarist who, IMO, has managed to capture the picking and tuning style developed by Nick Drake. His first album, Veneer, is well worth a listen.
[QUOTE=Princhester]
Pretty much every time anyone who sees Tommy Emmanuel play anything, their mind is blown.
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Tommy did an album with Chet Atkins, just a really nice piece of work.
I’m not the biggest Al Di Meola fan. I’m not a big guitar ensemble fan, either. But the collaboration between Al, Paco De Lucia, and John McLaughlin is one of most stunning guitar recordings I’ve ever heard.