Planes, Trains & Automobiles - Steve Martin is the uptight professional to John Candy’s loveable blue-collar loser.
John Hughes practically made a career of throwing together teenagers from different social/economic classes. See Breakfast Club, Pretty In Pink, and Some Kind of Wonderful.
Cold Comfort Farm was a hilarious novel, an excellent BBC miniseries &finally a movie. In which young, beautifully educated Flora Post discovers herself an orphan with a tiny income–in 30’s England. So she decides to move in with relatives. And picks the Starkadders, a rural tribe as written by Thomas Hardy & D H Lawrence.
What is class? Flora is almost penniless & the Starkadders own a fine farm. But she is bright & modern while they are all mired in “lower class” despair. Can Flora fix them? The Starkadder daughter & the son of the local gentry are in love–can Flora give them a happy ending? The cast rounds up The Usual British Actor Subects…
If we’re examining apparent versus “real” class–how about Shaw’s Pygmalion?
I saw that film years ago, being a cyclist I focused on the cycling aspects, but yeah, the heart of the story was the conflict between the cutters and the townies. Great little film, as I recall.
Summer Rental - Air Traffic Controller John Candy takes his family on vacation in a fictional Florida town similar to Palm Beach and goes up against a wealthy local. A bit predictable but fun.
I think Romancing the Stone and The Jewel of the Nile fit, especially the former with famous author Kathleen Turner, world-wise Michael Douglas, lowlife Danny DeVito, and local crime boss Alfonso Arau.
Linky for the above quote (my blog is fabulously NSFW, but this particularly post is OK unless pics of a fully clothed George Bernard Shaw violate some really obscure company policy, but since some of the ads might violate workplace prudery requirements):
There’s elements of class struggle in the delightful Spotswood
Lady and the Tramp is all about class struggle.
The Milagro Beanfield War is more dramatic, but very good.
Gosford Park is another more dramatic movie about classes set in England
Flesh + Blood, with Rutger Hauer as the commoner and Jennifer Jason Leigh as the aristocrat. Braveheart, although in real life, William Wallace was an aristocrat. Rob Roy, with Liam Neeson as the commoner and Tim Roth as the aristocrat. The Blue Max, starring George Peppard, in which World War One manages to take a back seat to class bickering.
Les Miserables.
The 1935 version, Frederic March versus Charles Laughton.
The 1978 TV version, with Richard Jordan versus Anthony Perkins.
The 1998 version, with Liam Neeson versus Geoffrey Rush.
The 2000 TV version, with Gerard Depardieu versus John Malkovich.
Even the 2012 musical version, with Hugh Jackman versus Russell Crowe, had its moments.
Actors who play Jean Valjean kind of blur together in my memory. But I can vividly recall every Javert.