This is yet another question put to me by Spoz. I was reading his blogspot late last week, and came across this gem:
So does anyone have any ideas on all these questions? I sure don’t. (though I did make him laugh just now when I said that if he was dead serious, I’d ask this question for him… and yes, I did that one on purpose :p)
He said I could link to his blogspot, and he really is serious about this,
This OP reminds me that Kevin Costner’s first big screen debut was as a corpse in The Big Chill. In the final version, he was just a corpse, and I don’t think they showed his face. When they were filming it, his character originally had some lines before he died, but the cut it all out.
If you do not see the corpse’s face, Screen Actors Guild contracts allow anyone to play the corpse. Thus, a crew member played the corpse in the movie Fargo.
If the corpse’s face is seen, the actor probably was sent by Screen Actors Guild (the Screen Extras Guild now being extinct).
If you are wondering how much you can make playing a corpse in the movies, generally it’s between $110-$125 per day. For more information, see the Screen Actors Guild guidlines.
Sometimes they call for extra’s and you can volunteer - a couple of friends and I volunteered as extra’s for Queen of the Damned in the concert scene. If you screw up your eyes and look to the top right…fine, you can’t see us, but we got free drink and a goth concert. Excellent.
In every show I’ve worked on(where we needed them), we used an unbelievably realistic latex corpse. they lay around real well, don’t ask for much, and look better than most actors.
When I say realistic, I mean “fuckin A…” realistic. Freaky stuff, sometimes.
This reminds me of the dummy we dropped from a helicopter on The Fugitive for the shot of the main characters jump from the top of the dam. The whole crew was cracking up at how shitty that looked. I mean, has anybody else seen this shot? It LOOKS like a mannequin falling. Oh well.
Most people who play these parts are struggling actors who are trying to hold on to their SAG cards. Usually casting directors realize that thses actors are out there and are familiar with them and will kindly throw them a bone to keep them drawing benefits.
Seriously, if your benefits are about to be pulled, you are very, very happy to be dead for a handful of takes.
Contrary to your OP, in Vancouver most of the corpses are extras. I’m sure you could get some fine-looking corpse work by calling up IATSE and asking for general call-outs
I think you can go to the film commission of your city and they’ll connect you with whoever gives out the gigs.
My son and I were in Ferris Buehler’s Day Off. The producers just put a little squib in the paper and we went downtown and waited for the fun to begin. It was one of my best days ever.
I think you can go to the film commission of your city and they’ll connect you with whoever gives out the gigs.
My son and I were in Ferris Buehler’s Day Off. The producers just put a little squib in the paper and we went downtown and waited for the fun to begin. It was one of my best days ever.
Damn, I knew I forgot to mention something. I’m sure I could do that, but as for Spoz? He lives in Adelaide, Australia. Who knows, maybe there’s an equivalent to the IATSE there.
Thanks for the ansewrs about the Screen Actor’s Guild and everything else, guys. I’ll make sure that Spoz sees this thread later on tonight. Whether he comments in it will be another thing quite entirely.
Why would you call the IA? They’re the union representing construction, special effects, grips, electricians, riggers etc…
Although they might know what was going on, they would rightly guide you to a casting agency or the casting director, or to the production office. They have no jurisdiction in these matters and don’t want them.