The problem with viewing the “Star Wars” prequels is that they are just movies, whereas to many of us of a certain age group, we want them to be the same kind of towering achievments that we remembered standing in line for as kids. The thing is, the original movies are not as good as nostalgia makes them out to be. And it is very difficult for any movie to inspire the same sense of wonder in a generation of now more cynical adults that the original movies inspired in a generation of wide-eyed kids. In the process of growing up, we learned to view movies as just movies, and to view them more critically. Personally, I think the only film that has come close to inspiring the same sense of wonder and excitement that the original trilogy mustered is “Lord of the Rings.” And a generation of geeks who came of age after “Star Wars” still found nits to pick with Jackson’s handling.
I’ll admit that Lucas hasn’t helped with some of the creative choices that he made in the prequels, but I don’t know that anyone could use the backdrops that Lucas created and still inspire the same sense of excitement and wonder in someone in their late 20s - early 30s that the originals inspired in young kids twenty years ago. The target audience has changed, and the younger generation has grown up in a world of movies that has been changed by “Star Wars” in ways that are now taken for granted. The things that the original trilogy pioneered, in terms of special effects, spectacle, and the way movies are packaged and marketed (especially to kids) are now such an ingrained part of American culture that we don’t even recognize them any more.
I think an analogy can be made to the historical treatment of “Citizen Kane” versus that of “Casablanca.” In the history of film, “Citizen Kane” stands tall for what it did for the craft of moviemaking, in Orson Welles’ use of light, shadow, and camera to create a mood. But many people, who grew up in a world where everyone uses or can use the same tricks Welles did, focus instead on the story, which is a fairly depressing (though IMHO, well told) tale of corruption. As an example, I watched a bit of Roger Ebert’s audio commentary on “Citizen Kane,” in which he dissects the elements of filmmaking craft, explaining how different and pioneering the work was. But a lot of what he is talking about was stuff I didn’t really notice or think about when watching it - they’re common tricks now. This is why a lot of people don’t get why the cinema-geeks get all orgasmic over “Citizen Kane.” What “Citizen Kane” pioneered has now become ordinary.
“Casablanca,” by contrast, is not (to my knowledge) cited for any particularly groundbreaking achievments in the craft of filmmaking. But many would probably rank it as a more enjoyable viewing experience than “Citizen Kane,” though the cinema geeks rate “Citizen Kane” higher.
So, I guess this is a long way of saying - the prequels will be viewed as “just movies” by future generations, but so will the original trilogy. A kid watching the original trilogy may enjoy the films, but I doubt they will form a core part of his or her cultural experience in the same way they did for school-age kids in the 1970s and early 1980s. It will just be another old movie.
Just my 0.02.