A bit of a novely, in that (real life Keach brothers) played the Frank & Jesse James; the Carradine boys played the Youngers & the Quaid brothers played the Millers, but I really liked “The Long Riders”. I usually don’t like westerns, and this one was unconventional enough to keep me watching. Ry Cooder’s sountrack was a nice touch as well.
I’m not a big John Wayne fan, but one of his movies was called The Cowboys, where he was forced by necessity to hire some boys (ages 9 to 15) for a cattle drive. It was quite good.
Although it’s definitely just on the fringe of being in the same genre as the run-of-the-mill Western, if you’re up for some amazing writing, staging, acting and tampering with Western history, you’d profit greatly from renting as many seasons of HBO’s Deadwood as you can. (This assumes you don’t have HBO.)
I finally saw Once Upon a Time in the West a few months ago, and can highly recommend it. It’s got an incredible cast under the direction of Sergio Leone. If you’ve not seen it, you’ll likely not view Henry Fonda the same after doing so.
Hmm. A lot of the titles above, while great movies, are of the subgenre called the “anti-Western.” That is, they’re kind of postmodern reactions, after the fact, to the long tradition of the Hollywood Western. You’ll get more out of them if you watch some earlier ones first, to familiarize yourself with the themes they’re addressing.
You can’t go wrong with John Ford, going chronologically if possible. *Stagecoach, *1939, is an absolute essential, and was a big influence on Orson Welles when he made Citizen Kane. The next great Western he made was My Darling Clementine, 1946, his take on the Wyatt Earp legend starring the great Henry Fonda. One of my favorite straightforward (as opposed to anti-) Westerns. Make sure you watch the Howard Hawks masterpiece, Red River. His Rio Bravo is arguably a greater film, but it’s a response to High Noon, which Hawks hated, so it’s something of an anti-Western too.
I agree wholeheartedly–it’s one of only 3 Westerns in my lifetime top 20 list–but Leone made it as a kind of tribute to John Ford–almost everything about *OUaTitW *refers back to one or another aspect of the Ford tradition–so I personally recommend leaving this movie till later in your Western career; you’ll get much more out of it.