[QUOTE=DaphneBlack]
Yeah, the reason why I want to play bass rather than guitar is because its part of the rhythm section. I can feel a groove, musically speaking, pretty well. And I always notice a great bass line in my favourite songs.
Any suggestions for a good starter bass?
[/QUOTE]
I started with a Cort headless (a Steinberg knockoff). Then went to Steinberg, but not headless. Fender jazz is a nice stick to learn on due to the neck being slightly narrower then the Fender precision (or is that the other way around, it’s one of those two).
Don’t get me wrong about the importance of technique and melody. One of the things that has always attracted me to the bass, and to certain bass players in general, is the ability to establish and maintain a tight, driving groove while still adding depth, color and flavor to the tune in general.
Nathan East is very good at this, he drives for Clapton, enough said.
Bootsy Collins kept a tight groove that sometimes seemed almost syncopated with his part in the melody.
Jaco Pastorus was way too melodical for my tastes. He might as well have hired another bass player and played lead.
You want drive with flavor? Bernard Edwards’ line from “Le Freak” is tighter than my pr… well suffice it to say it was pretty tight.
Billy Sheehan would be right up there in the best all around catagory, rock, r&b, funk, melodic lead etc.
These masters can be intimidating to a new student but I assure you they all started out playing sixteenth notes of whatever root chord there was at the time, changing where needed, and developing their technique as they went along.
Unless they were playing country, then it’s strictly quarter note thirds all day every day. Try popping something even remotely funky in a redneck bar during a Conway Twitty song and the beer bottles can easily fly (personal experience from 1987).