I want to see a fantasy or science fiction story where an ancient prophecy foretells that a hero will rise up to save the cosmos from ancient evil, which turns out to be complete bullshit and the main character is in no way a fulfillment of it.
There was SOME fantasy story, though I can’t remember the medium or title, where while the hero as the chosen one succeeds, the prophet flat out tells them that there’s been dozens of chosen ones for the exact same task and that they all died or otherwise failed.
I would like to see the white guy go native, fall in love with the chief’s daughter, who never even realizes that he’s on the face of the earth. The tribe would make him the refuse disposal member of the tribe, digging the pits, emptying them out. And, at all of the tribal parties, ceremonies, usually forget about him. He marries the tribal witch doctor’s daughter who is fat, toothless, and the tribal slut.
I’d like to see a game where the Luck characteristic has an impact on events. It’s common in history, myth, and fiction for people to be famous for being lucky. In all the games I can remember playing that had a luck statistic it was either useless or gave a bonus in combat. I’ve never known it to, say, make the difference between being driven off course by a storm and finding Vineland.
Is this a whoosh?
Why would you think so?
In Fallout New Vegas, your luck statistic will directly influence your success in gambling. It also influences all your other statistics. Having low luck can sometimes make the game frustrating.
OK, but would it kill them to have a hallway? Keep the set as the living room/entrance, but don’t stick two doors in every wall except the one occupied by the cameras, and put a window someplace.
La abeja Maya… yep, apparently she’s called Maya the Bee in English, who’da thought.
Well, a lot of small apartments don’t have hallways. The bedrooms are right off the living room. That’s fairly realistic.
I haven’t much noticed the absence of windows. In Friends there is a window leading to a large balcony. And in Seinfeld the windows are on the non-existent fourth wall.
Not quite what you are looking for, but the TV show Angel had at least one ancient prophecy that turned out to be a forgery.
The first setup is not realistic in Spain at all. A flat large enough for 4 or 5 adults each with an individual bedroom (as these sitcoms have) will have a hallway. There’s flats whose door is in the living room, but ones where everything opens into the entranceway/living room and where “everything” > 2, no. And in many of these, there is simply no mention of windows. Ever. These folk live in the only flat in Spain where Iberdrola foots the electrical bill.
Okay, well, I would say that an apartment with four bedrooms is not small and even in America it would be unusual for them all to open on the living room.
Even then, I can understand why a sitcom would avoid having a set with a hallway. It would interfere with the theatrical flow of the action. As I said before, sitcoms are commonly filmed as theater rather than as cinema.
The ABC ensemble sitcom Happy Endings has a gay character who’s a slob, loves sports, and is kind of a schmuck.
It also has an interracial couple but rarely refers to their races – except one joke that I loved, where the husband (who is black) started talking about his (white) wife’s past boyfriends, and they were all names like Jamal and Malik.
So you’ve never seen Better Off Dead?
That’s more or less what happened in October Sky, but without all the vitriol.
Please take your logic and sensibility elsewhere; there’s no room for it here.
I would like to see a movie that starts with the main character backing out of his driveway, gets t-boned, killed and the movies ends.
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A movie where the woman (its always the women in these films) doesn’t leave her pretty decent but boring husband/boyfriend for a chance at adventure and romance in an exotic location with a handsome stranger, where she realizes that most people settle in some small way and there is no perfect significant other for her out there, and she’s happy about it and is fine staying home and caring for the kids and working her 9-5 job. But the rest of the movie has to have explosions because this would be a terrible movie
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A rom-com where a person’s quirks isn’t exaggerated to unrealistic proportions leading to a breakup. They accept that everyone has some quirks and the best way to deal with that sometimes is to accept it and ignore it
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A scene in a show where, when the characters have to look up something using a computer, it takes a lot of clicking and waiting on the stuff to load before it appears, and they use actual programs like Word or Excel or Google, and when the website or document opens, they don’t immediately scroll down to where the information is, but they have to do a CTRL-F and type in what they are looking for and then sort through a lot of BS to find what they need.
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Also, a scene where stealing something from a computer using a flash drive is more than just sticking it in and clicking a few buttons. They’d have to put the flash drive in, open up My Computer, open up the flash drive, then find the folder where the information they want is located, drag it to the flash drive, wait for it to download, then close all the windows first before they just leave the computer
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A horror movie where NOBODY investigates the mysterious sound in the attic or in the basement or outside. If its in the house, they immediately run outside into the street, giving the murderer no cover to sneak up behind them, then go directly to a police station.
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Also a horror movie where cops believe that a person is being chased by a maniac instead of dismissing their claims, and try to protect the person, but still get killed anyway.
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And another thing, a horror movie where, when you shoot the monster or murderer and they fall down, the protagonist doesn’t let down their guard immediately. Instead, keep stabbing them in the face, hands, and neck, cut off the head, or smash his skull in with a heavy object so that they are sure the person is dead, or if he’s alive, he’d be hobbled and unable to chase after them
How about making the Asian guy the smart one?
The Matrix?
The guy from Gundy’s HAPPY ENDINGS example isn’t just a heavyish, sloppy, laid-back-to-the-point-of-laziness-unless-he-can-act-like-a-frat-boy sports fan who happens to be gay; he also happens to be Jewish, without happening to be at all brainy. (For bonus points, he’s even got a Hebrew tattoo on his comically-too-often-bared chest.)