Is Evita as bad as the production I just saw?

I just came back from a national touring production of Evita (State Theatre of New Jersey), and, my god, it was atrocious. In particular, the two leads (Eva and Che) simply could not sing. Che, for instance, had a high, breathy voice horribly inappropriate for a character who should be a badass–like, oh, Che Guevara. Eva could neither sing nor act–I nearly missed the big number Don’t Cry For Me, Argentina, completely. This makes my judgment of the songwriting suspect: it’s very hard to tell if I like any of the songs or not if the singers are awful. Only “And the Money Kept Rolling In” had any sort of impact, despite Che’s breathiness.

Is the production itself fatally flawed? I’m not much of an Andrew Lloyd Weber fan, except for a couple of numbers in Phantom, and I’ve heard the Evita movie was actually pretty good. Has anyone scene it staged well?

Well, here’s your Che.

And, he’s a tenor. So lookie here:

So he’s a tenor with a pop style, and is authentically Hispanic. It’s a lock.

And here’s your Evita:

You paid fifty bucks for a cruise ship production. You poor baby. :smiley:

Don’t judge Evita by a cruise ship production of it.

I am an absolute huge fan of the movie and the soundtrack, so I would argue that you saw a bad production of it. I have never seen it on a stage, so I couldn’t hypothesize as to whether it lent itself more easily to film or theater. But I wouldn’t give up on the story or the music because the movie is brilliant.

It really did seem like a cruise ship production, from the choreography to the singing styles. I suppose I’ll need to watch the movie version, at the very least. And thanks heavens it was only $15 (student ticket) not 50 or more.