This extremely important topic came to me earlier today when, upon listening to it, I asked myself “holy shit, how is it 2019 and you’re finally figuring he is rapping on this song?”
and its not the only song they did it in ……… because early in their career neil wasn’t sure he could sing for a whole song …… so he would do what they call “speed rapping” these days through some of the song… at some point they phased it out as he was more confident about his singing
It took me a long time to realize it, probably because I was about 9 when it came out and didn’t really care about defining things then, but when I listened to it as an adult, it became obvious to me.
No, it’s no more rap than Bill Shatner covering Lucy In The Sky, or Telly Savalas doing If. Choosing to use a more spoken style rather than pure signing is not sufficient to be rap.
Yep, that’s rap. It’s a sentence or more*, spoken in rhythm. There’s even an accented syllable on ever snare hit. If I wrote it down, I would have to have notes for each syllable.
What Shatner does isn’t rap because it’s not in rhythm. And I agree this sounds like early 80s rap. Maybe those who disagree are used to the increased use syncopation found in more modern rap?
*I don’t tend to think it counts as rape when a song that just have a few spoken words, or use speak-singing for parts. For example, Be Prepared from the Lion King is not rap, even though Scar will speak some words in rhythm, particularly near the beginning.
And, per zombywoof’s link, specifically copying Melle Mel, one of the more influential early rappers. So, not exactly groundbreaking rap, but rap, nonetheless.
If Blonde’s Rapture is to be considered a seminal rap song (and believe me, I’ve tried to talk reason into my white friends about this) then West End Girls fits very comfortably in that tradition.
Yes it depends how we parse the OP question. There’s definitely rapping in WEG, so I voted “yes”, but you’re right: to call the whole song a rap is a stretch.