[QUOTE=Rubystreak]
Is there any reason why Milch lays the end of Deadwood at McShane’s feet? Was he asking for too much $$$, or getting other offers he wanted to take, or what? Cite, Milch, cite, you cocksucker!
[/QUOTE]
Nothing I’ve read anywhere has McShane as anything but enthusiastic for more Deadwood. If any of the actors had been holding out for more money or had scheduling issues, HBO would have put that on their list of excuses, and they didn’t do that. It’s a puzzlement.
I’m wondering if Milch meant that O’Neill in the part would have led to everything being written a whole different way, the story line would have taken a different turn, the ratings would have been even better, and HBO wouldn’t have made the demands that led to the cancellation.
Or. alternatively, I don’t know, Butchie, instead.
[QUOTE=Rube E. Tewesday]
I’m wondering if Milch meant that O’Neill in the part would have led to everything being written a whole different way, the story line would have taken a different turn, the ratings would have been even better, and HBO wouldn’t have made the demands that led to the cancellation.
[/QUOTE]
Highly doubtful, since most of the storylines in Deadwood were based on actual American history.
I love Ed O’Neil, and thought his JFC tirades were pure gold. Hell, I watched every episode of that craptacular Dragnet just for him. But I’m aghast at the idea of Ed O’Neill as Al Swearangen. Ian McShane was the best thing about Deadwood.
It is nothing but cruel irony that they began rerunning Deadwood starting with the pilot during this season of JFC. I’m not apathetic that JFC was cancelled; I’m ecstatic. I am pissed off enough at Milch for bailing on Deadwood to do a steaming piece of shit like JFC that despite the fact that I think Deadwood is the greatest show ever made, I truly hope Milch gets blackballed and never works again.
[QUOTE=Ellis Dee]
Highly doubtful, since most of the storylines in Deadwood were based on actual American history.
[/QUOTE]
Well, sure, but it’s not like it was a history book, liberties were taken when necessary, and choices were made. For example, the real Al was a total asshole, without the traces of brilliance of the fictional character. If you have an actor playing Al who emphasizes the asshole, not the brilliance, you write up the asshole. Since Al is such an asshole, you make Bullock more likeable to counteract him. Since Bullock is so much more likeable, you make Sol more of an asshole to counteract that. Since Sol is more of an asshhole, he doesn’t fall for Trixie, so that storyline (totally fictitious, by the way), never happens. And so on.
Depending on what you have to work with, a series can go in an infinite number of possible directions.
:o
God spoke to Mitch but Mitch did not heed God’s words.
:o
So God spoke to Butchie but Butchie did not heed God’s words.
:o
So God spoke to Shawnie and Shawnie did heed his words.
[QUOTE=AuntiePam]
I guess so. She didn’t get nekkid or anything though. Mostly she screamed a lot.
[/QUOTE]
Yeah, the general lack of nekkidness was a tad disappointing, and uncharacteristic of a Milch show. I think it was part of the general way the show never did what you expected – no big sex scenes, no big fight scenes, no big anything scenes.
[QUOTE=John Mace]
I really liked the opening scene with the Dylan song and the camera racing thru the clouds, then John and Shawn surfing. Very cool.
[/QUOTE]
Very cool. I really wish the series had had more moments like that.
[QUOTE=Rube E. Tewesday]
Yeah, the general lack of nekkidness was a tad disappointing, and uncharacteristic of a Milch show. I think it was part of the general way the show never did what you expected – no big sex scenes, no big fight scenes, no big anything scenes.
[/QUOTE]
We could argue that Milch doesn’t do traditional “big” scenes. Milch’s fights and sex scenes are over fairly quickly, and incidental to something bigger rather than being drawn out to build drama, or to compensate for lack of drama elsewhere.
Only four “big” fights in 36 episodes of Deadwood – Al and Seth going over the balcony, Dan and the Captain, Ellsworth and Wolcott, Seth and the Indian. Not much sex – Seth and Alma, Silas and Ms. Isringhausen, Trixie and Sol – the Mason brother with his branding iron doesn’t count.
I could have used a couple of traditionally “big” scenes in JFC. Milch never told us (so that we could understand anyway) – “Look close here – this is big! You need to get this!” Dammit.
[QUOTE=John Mace]
I really liked the opening scene with the Dylan song and the camera racing thru the clouds, then John and Shawn surfing. Very cool.
[/QUOTE]
[QUOTE=Khadaji]
Not to hijack too much, but is Rebecca Demornay still hot?
[/QUOTE]
I thought she looked surprisingly hot, especially since she never really did much for me when she was younger (e.g., Risky Business). But I can’t think of another performance in recent memory that did more to extirpate every trace of sexiness from its performer. Arguably, that was the “point” of her demeanor in the context of the character, but I found it increasingly tiresome to watch.
“South Park” had her analogue in Ms. Crabtree, the psychotic, screaming school bus driver, but at least Matt & Trey had the sense not to make her a major character.
[QUOTE=Vinyl Turnip]
I thought she looked surprisingly hot, especially since she never really did much for me when she was younger (e.g., Risky Business).
[/QUOTE]
Woah. Am I slow or what? It just hit me that Risky Business is a play on words. :smack: