The tenth anniversary of Laura Nyro’s death from ovarian cancer passed about a month ago. A month ago, I knew nothin’ about Laura Nyro – except that you could hear several of her old songs on Lite FM (covered by the likes of Barbra Streisand; the Fifth Dimension; Blood, Sweat & Tears; and Three Dog Night), or on Muzak.
Still, I LIKED those songs: “Wedding Bell Blues,” “Stoney End,” “Eli’s Coming,” “And When I Die.” And, I understood, Nyro had a tiny but vocal cult following. Sounded like she was right up my alley.
So about ten days ago I bought myself a copy of New York Tendaberry, her 1969 album, the middle album of her “Classic Three” between '68’s Eli and the Thirteenth Confession and ‘70’s Christmas and the Beads of Sweat. It’s also supposed to be the purest distillation of Nyro’s sound, her fans’ favorite, as it’s nearly arrangement-free, almost entirely just her and her piano.
Now I’m totally besotted with this woman’s soulful, luscious soprano voice, and slackjawed over her songwriting power. I sat and listened to *NY Tendaberry * closely the first time through, was confused, which I understand to be the normal reaction, then listened to the whole thing again. Over the next days I sat and listened to the upbeat, gospel-like numbers – “Save the Country,” “Mercy on Broadway.” Then I quit those and listened to the angry, mournful, spooky, cryptic songs – “Gibsom Street,” “You Don’t Love Me When I Cry.” The I moved on to the love songs – oh my god, those love songs – “Captain Saint Lucifer” and “Captain for Dark Mornings.”
Now I’m here in Cafe Society, after doing a search for any other thread devoted to Nyro over the past eight years, and I see there has been none. And I’m not altogether surprised. I work with a number of extremely music-savvy people, and hardly any of them know anything about Laura Nyro except her name, reputation, and the fact that she got covered by a lot of top-selling (though mushmouthed) performers. And that she died young (49 years old) ten years ago.
See, one thing about Laura was that she was a very private person. She didn’t publicize herself, didn’t give interviews while she was at the top of her game, didn’t even like to appear on television. She sang at the Monterey Pop Festival in 1967 (showing much less stage presence than rock goddesses Janis Joplin and Gracie Slick), became convinced that she was being booed by the audience, and left the stage in tears. She retired in 1972 at the age of 24, got married, moved up to New England, have a kid. Divorced, started recording again (much smaller print runs than her '60s stuff), and played live shows at small venues like the Bottom Line in Greenwich Village.
Go to YouTube and type in “Laura Nyro” and click on “Save the Country – Live at Kraft Music Hall 1969.” 2 1/2 minute perf on NBC teevee (one of only two times she agreed to be on television, and you can see much she hates it), just her and piano.
So, my god, has everyone forgotten her? She was SO good. Please, people, tell me I’m not alone here.
