First, I want to say I’m not buying The Two Towers because I already know they’re going to pull that Special Collectors’ Edition thing again.
Now, do you mean continuity errors in the book, or in the movie? I write epic fantasy, and as such I enjoy pointing out errors of all kinds in Tolkien’s work (at least as much as I enjoy reading it…).
From my own experience, continuity is extremely difficult to manage in a work of this kind. I’ve made outlines, maps, and notes indicating where various characters are at different times, only to find that someone ends up somewhere at the wrong time, and I have to rewrite a whole scene. I couldn’t manage it at all if I didn’t have dates (and sometimes times) for each scene.
It’s not just the locations of characters, either. You have to know such seemingly inconsequential details as what phase the moon is in, and where the sun is. My book sometimes flashes between very distant locations, so I have to know what time it is in Location B if it’s noon in Location A. Tolkien wouldn’t have had too much of a problem with that, since his story unfolds over 1 or 2 time zones at most – I’m not sure if he has continuity with the phases of the moon. Or with things like having flowers bloom at the wrong times.
See, it’s really tempting to do things like describe the way a full moon lights up a landscape – but you have to remember that the moon isn’t always full, even when it should be full for reasons of pathetic fallacy.
These are large-scale continuity issues, which a good author or filmmaker should be able to manage. But there’s a lot of really insignificant ones that someone will notice if you don’t get them right.
I’m going to use this example from The Two Towers:
http://www.nitpickers.com/movies/nitpicks/52000/51137.shtml
It’s about the number of arrows in Legolas’ quiver.
His quiver sometimes refills itself, and he’s always carrying the same type of arrows. The error reminds me of how annoying it is to manage arrows:
- You have to make sure characters are carrying a realistic number of arrows.
- You can’t fall into the standard action-movie error of having them shoot more arrows than they have. Likewise, if you feel like mentioning someone’s “last arrow”, you need to be sure it really is their last one.
- You must remember never to use the verb “fire” in connection with arrows. Arrows are shot, but they are not guns, and are never fired. I don’t actually read enough fantasy to know an example, but I’m sure “firing” arrows is common enough.
- Characters might sometimes be able to recover arrows, but not always – you can’t just assume they can recover them all after every battle, since they tend to break or get stuck in things.
- When characters can refill their quivers, what type of arrows do they use? (This is more important in a movie, when you can see them.)
Actually, if I remember correctly from LOTR, I don’t think Tolkien kept track of his character’s arrows. I think Legolas had an endless supply of Elven arrows (since he’s an Elf, and does Elf things), and never had to stoop to using arrows from Gondor. I think Tolkien just made the arrows ‘unbreakable’ or something – which I’ve also resorted to =), but there are times (Moria, for example), when he wouldn’t have been able to recover them…