Spoilers
Now, I’m sure some of you have seen “The Lady in the Water”, and liked it the way it was. That is OK, everyone is entitled to an opinion. And I know that there are other M. Night Shyamalan bad movies that “deserve” the remake more (“Avatar: The Last Airbender” could have been a pretty good movie as a proper, faithful adaptation of source material). Plus, I don’t think Shyamalan is all bad: I liked “The Sixth Sense”, “Unbreakable” and “Split”.
But I couldn’t help but think that “Lady in the Water”, despite all of its ridiculousness, could have been a much better, even (sort of) serious fantasy movie with some changes. If somebody were to remake it, some new angles could make it a relatively good movie:
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Drop the exposition in the opening credits. Quite annoying and unnecessary. Hundred minutes is enough to explain the mythology behind the story, you don’t have to explain the basics from the beginning.
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Don’t include the character of Young-Soon Choi, or her mother. Quite annoying and unrealistic (yes, even for a modern fairy-tale). Just have Cleveland do the research about naiad/nymph mythology by himself. The Internet is much bigger now than it was in 2005; it wouldn’t be hard. Eventually, Story (“Lady in the Water”) can confide in him and reveal the details and specifics that he hasn’t figured out yet.
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You can still have the critic character, but make him a complex, interesting character. Maybe he has to work together with other residents and is the only one trying to find a rational explanation to the situation, but he eventually starts questioning his mindset and grows to believe Story, and care about her. Maybe, in the end, it can turn out that he is Story’s guardian, rather than Reggie.
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Story being sent to deliver the message to the writer whose book will change the world… It can still kind of work, just cast pretty much anyone else but, well, M. Night Shyamalan. With the critic being a complex and (eventually) sympathetic character, and the aspiring writer not being portrayed by M. Night, that story angle wouldn’t have been nearly as preposterous.
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Speaking of which, don’t give “The Lady in the Water” ridiculous names such as “Story” or “narf” (while expecting the audience to take it seriously). If you can’t come up with anything better, just call her “Lady in [from?] the Water”. Or “Aqua”, which is Latin for “water”.
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If you somehow managed to pay attention to the mythology that is explored (well, more like just mentioned) in this movie, you know that there are this violent monkeys, Tartutic, that are supposed to protect Story from the Scrunt, the evil dog that is supposed to drag her away and… kill her, I guess. But they don’t appear until the end, even though the Scrunt had attacked Story two times before. At one point in the movie, Story even wonders how come the monkeys haven’t appeared, but that is never explained.
I think it would have been better had Story figured out the reason on her own, shortly before the ending. Maybe if she said something like: “They don’t care about me anymore. They don’t think that I can complete my mission-change the world, or, rather, encourage someone else to change it. So why save me? Or they simply don’t believe that it will matter. But I can do that. At least I hope I can. And it will matter. There is still hope. And I will do it, with or without their help. If I have to die, so be it. So others may live. I know that people have made plenty of mistakes, but I still love them, because every life is precious.”
Of course, Cleveland Heep (the protagonist) and Story should still be played by Paul Giamatti and Bryce Dallas Howard. Because they’re Paul Giamatti and Bryce Dallas Howard. I don’t think they’ve aged that much anyway.