Directors identified with a certain stylistic element, technique, motif, or whatever
- Alfred Hitchcock - Appears in a brief cameo in each movie.
- James Cameron - Often shows an actor’s feet or shoes
- Tim Burton - Associated with gothic visual themes
- Sam Raimi - Fast-moving POV shots, dolly zooms, and slapstick
- Martin Scorsese - Often features Rolling Stones songs
Nonsuch
4564
Directors identified with a certain stylistic element, technique, motif, or whatever
- Alfred Hitchcock - Appears in a brief cameo in each movie.
- James Cameron - Often shows an actor’s feet or shoes
- Tim Burton - Associated with gothic visual themes
- Sam Raimi - Fast-moving POV shots, dolly zooms, and slapstick
- Martin Scorsese - Often features Rolling Stones songs
- Michael Bay - The 360-degree hero shot
Directors identified with a certain stylistic element, technique, motif, or whatever
- Alfred Hitchcock - Appears in a brief cameo in each movie.
- James Cameron - Often shows an actor’s feet or shoes
- Tim Burton - Associated with gothic visual themes
- Sam Raimi - Fast-moving POV shots, dolly zooms, and slapstick
- Martin Scorsese - Often features Rolling Stones songs
- Michael Bay - The 360-degree hero shot
- Quentin Tarantino - incorporates 1970’s pop culture elements
or I could have said excessive use of the N word
Mike_H
4566
Directors identified with a certain stylistic element, technique, motif, or whatever
- Alfred Hitchcock - Appears in a brief cameo in each movie.
- James Cameron - Often shows an actor’s feet or shoes
- Tim Burton - Associated with gothic visual themes
- Sam Raimi - Fast-moving POV shots, dolly zooms, and slapstick
- Martin Scorsese - Often features Rolling Stones songs
- Michael Bay - The 360-degree hero shot
- Quentin Tarantino - incorporates 1970’s pop culture elements
- Stanley Kubrick - The “Kubrick Stare”
Directors identified with a certain stylistic element, technique, motif, or whatever
- Alfred Hitchcock - Appears in a brief cameo in each movie.
- James Cameron - Often shows an actor’s feet or shoes
- Tim Burton - Associated with gothic visual themes
- Sam Raimi - Fast-moving POV shots, dolly zooms, and slapstick
- Martin Scorsese - Often features Rolling Stones songs
- Michael Bay - The 360-degree hero shot
- Quentin Tarantino - Incorporates 1970’s pop culture elements
- Stanley Kubrick - The “Kubrick Stare”
- Wes Anderson - Elaborate models and tiny written notes
Directors identified with a certain stylistic element, technique, motif, or whatever
- Alfred Hitchcock - Appears in a brief cameo in each movie.
- James Cameron - Often shows an actor’s feet or shoes
- Tim Burton - Associated with gothic visual themes
- Sam Raimi - Fast-moving POV shots, dolly zooms, and slapstick
- Martin Scorsese - Often features Rolling Stones songs
- Michael Bay - The 360-degree hero shot
- Quentin Tarantino - Incorporates 1970’s pop culture elements
- Stanley Kubrick - The “Kubrick Stare”
- Wes Anderson - Elaborate models and tiny written notes
- Taika Waititi - often inserts himself as a comical supporting character (Hitler, Korg)
More Directors identified with a certain stylistic element, technique, motif, or whatever
- Clint Eastwood - uses the theme of gun violence and killing as a contrast with his own early film career
Spoons
4569
More Directors identified with a certain stylistic element, technique, motif, or whatever
- Clint Eastwood - uses the theme of gun violence and killing as a contrast with his own early film career
- John Boorman - Natural settings, using lots of green. See The Emerald Forest, Excalibur, and Deliverance.
More Directors identified with a certain stylistic element, technique, motif, or whatever
- Clint Eastwood - uses the theme of gun violence and killing as a contrast with his own early film career
- John Boorman - Natural settings, using lots of green. See The Emerald Forest, Excalibur, and Deliverance.
- Sam Peckinpah - Slow-motion violence
Rebo
4571
More Directors identified with a certain stylistic element, technique, motif, or whatever
- Clint Eastwood - uses the theme of gun violence and killing as a contrast with his own early film career
- John Boorman - Natural settings, using lots of green. See The Emerald Forest , Excalibur , and Deliverance .
- Sam Peckinpah - Slow-motion violence
- Steven Spielberg - zooms and fluid camera movement to shift shot composition throughout a single camera setup
More Directors identified with a certain stylistic element, technique, motif, or whatever
- Clint Eastwood - uses the theme of gun violence and killing as a contrast with his own early film career
- John Boorman - Natural settings, using lots of green. See The Emerald Forest , Excalibur , and Deliverance .
- Sam Peckinpah - Slow-motion violence
- Steven Spielberg - zooms and fluid camera movement to shift shot composition throughout a single camera setup
- George Lucas - cool concepts, terrible dialogue
More Directors identified with a certain stylistic element, technique, motif, or whatever
- Clint Eastwood - uses the theme of gun violence and killing as a contrast with his own early film career
- John Boorman - Natural settings, using lots of green. See The Emerald Forest , Excalibur , and Deliverance .
- Sam Peckinpah - Slow-motion violence
- Steven Spielberg - zooms and fluid camera movement to shift shot composition throughout a single camera setup
- George Lucas - cool concepts, terrible dialogue
- John Woo - Slow motion action, dual pistol wielding heroes, and characters on opposite sides teaming up against a mutual enemy
More Directors identified with a certain stylistic element, technique, motif, or whatever
- Clint Eastwood - uses the theme of gun violence and killing as a contrast with his own early film career
- John Boorman - Natural settings, using lots of green. See The Emerald Forest , Excalibur , and Deliverance .
- Sam Peckinpah - Slow-motion violence
- Steven Spielberg - zooms and fluid camera movement to shift shot composition throughout a single camera setup
- George Lucas - cool concepts, terrible dialogue
- John Woo - Slow motion action, dual pistol wielding heroes, and characters on opposite sides teaming up against a mutual enemy
- Vincent Gallo - Pointless, meandering scenes; unsimulated sex
More Directors identified with a certain stylistic element, technique, motif, or whatever
- Clint Eastwood - uses the theme of gun violence and killing as a contrast with his own early film career
- John Boorman - Natural settings, using lots of green. See The Emerald Forest , Excalibur , and Deliverance .
- Sam Peckinpah - Slow-motion violence
- Steven Spielberg - zooms and fluid camera movement to shift shot composition throughout a single camera setup
- George Lucas - cool concepts, terrible dialogue
- John Woo - Slow motion action, dual pistol wielding heroes, and characters on opposite sides teaming up against a mutual enemy
- Vincent Gallo - Pointless, meandering scenes; unsimulated sex
- Ken Burns - signature ‘Ken Burns effect’ where the illusion of motion is created by panning over a static image.
More Directors identified with a certain stylistic element, technique, motif, or whatever
- Clint Eastwood - uses the theme of gun violence and killing as a contrast with his own early film career
- John Boorman - Natural settings, using lots of green. See The Emerald Forest , Excalibur , and Deliverance .
- Sam Peckinpah - Slow-motion violence
- Steven Spielberg - zooms and fluid camera movement to shift shot composition throughout a single camera setup
- George Lucas - cool concepts, terrible dialogue
- John Woo - Slow motion action, dual pistol wielding heroes, and characters on opposite sides teaming up against a mutual enemy
- Vincent Gallo - Pointless, meandering scenes; unsimulated sex
- Ken Burns - signature ‘Ken Burns effect’ where the illusion of motion is created by panning over a static image.
- Woody Allen - frequent us of black-and-white in modern films
More Directors identified with a certain stylistic element, technique, motif, or whatever
- Clint Eastwood - uses the theme of gun violence and killing as a contrast with his own early film career
- John Boorman - Natural settings, using lots of green. See The Emerald Forest , Excalibur , and Deliverance .
- Sam Peckinpah - Slow-motion violence
- Steven Spielberg - zooms and fluid camera movement to shift shot composition throughout a single camera setup
- George Lucas - cool concepts, terrible dialogue
- John Woo - Slow motion action, dual pistol wielding heroes, and characters on opposite sides teaming up against a mutual enemy
- Vincent Gallo - Pointless, meandering scenes; unsimulated sex
- Ken Burns - signature ‘Ken Burns effect’ where the illusion of motion is created by panning over a static image.
- Woody Allen - frequent use of black-and-white in modern films
- Cecil B. DeMille - Huge sets and casts of thousands
Next up:
Your favorite movie by a many-film director
- Notorious - Alfred Hitchcock
Your favorite movie by a many-film director
- Notorious - Alfred Hitchcock
- Pulp Fiction - Quentin Tarantino
Your favorite movie by a many-film director
- Notorious - Alfred Hitchcock
- Pulp Fiction - Quentin Tarantino
- Amarcord - Federico Fellini
Your favorite movie by a many-film director
- Notorious - Alfred Hitchcock
- Pulp Fiction - Quentin Tarantino
- Amarcord - Federico Fellini
- Goodfellas- Martin Scorsese
Your favorite movie by a many-film director
- Notorious - Alfred Hitchcock
- Pulp Fiction - Quentin Tarantino
- Amarcord - Federico Fellini
- Goodfellas- Martin Scorsese
- Aliens - James Cameron
Mike_H
4582
Your favorite movie by a many-film director
- Notorious - Alfred Hitchcock
- Pulp Fiction - Quentin Tarantino
- Amarcord - Federico Fellini
- Goodfellas- Martin Scorsese
- Aliens - James Cameron
- Blade Runner - Ridley Scott