Wildwood (2026). I am a big LAIKA fan, as is my daughter (in particular Coraline), and so we went to see this. The story is good, and they make great use of the stop-motion animation to create some incredibly rich environments. I’ll warn that this is not for little kids; it gets dark in places, and violent (lots of fighting with not as much gore, but definitely blood and death).
Our new theater is a Phoenix, which uses Dolby Atmos to create sound from all directions and shake the seats, and that added a lot to it.
I’m going to see this tonight. It’s a big deal in Portland – it’s set here and filled with recognizable parts of the city; Laika is based in Portland; and the book was written by Portland hero Colin Meloy (of The Decemberists).
All the smaller independent theaters are sold out for the entire week, and even the big theaters are selling out most shows. I’m guessing based on the weekend box office it’s not quite the same event outside of Portland.
I saw Wildwood, and yes, it’s absolutely beautiful to watch!
Haven’t really thought about it for a moment since I saw it, though. No idea why not? I wouldn’t call it “formulaic” or “unimaginative” or anything like that. But I just… didn’t care that much.
I’d happily watch any number of movies that are as ambitious and successful as Wildwood, any chance I get. But I can’t imagine actively wanting to watch Wildwood itself ever again.
(Whereas, for example, I’m really looking forward to someday revisiting 2024’s Flow, and Studio Ghibli and Aardman Animation films are rewatch standbys. Go figure.)
I would definitely see it again in the theater, but some of that is getting to go with my daughter, who is so busy these days, as well as how rich the animation is. I’m not sure I would watch it on TV.
I saw Wildwood last night, and it is indeed beautiful. I highly recommend just for the sheer artistry that went into its creation and is evident in every scene. Stick around through the initial credits where they have a few scenes of the animators setting up shots and painstakingly replacing a character’s face for each micro-change in expression.
The story is good straightforward fantasy. It’s kind of a weird mix – it’s definitely pre-teen in the overall plot simplicity with clearly defined good and evil. But it’s also pretty dark at several points, with a lot more violence and death than you’d typically see in stories aimed at that age.
And while it’s great for anyone, it was especially fun as a Portlander. It was littered with Portland features (as well as a few from the Oregon coast and Columbia Gorge) and in-jokes.
I’d recommend it if you have time for a pretty short, self-contained animated miniseries (ten episodes but they are very short episodes, it’s basically feature film length). It’s got a very Spirited Away feel (if you’ve seen that) but with a darker vibe. Hulu/Disney+ has it I think.
Standing far enough back it has some bones of the Sendak story (girl looking after her brother has to retrieve him from a hidden land) but beyond that, no resemblance
I’d agree with @TroutMan to the extent that it has a LOTR vibe, where to ringbearer and her companion are middle schoolers and the ring is a small toddler.
It is unbelievably dark compared to just about every comparable (aimed at YA) animated feature I’ve seen. There is graphic depiction of death and cruelty of war, the sympathetic characters go through genuine peril, with the audience understanding that their survival is not necessarily guaranteed, the stubborn, selfish antagonistic natures of tribes is not something that can be rationalized away, and deaths are not off screen.
Crazy Old Lady A Spanish production (Vieja Loca) I just caught on Shudder. I’ve seen others compare it to Misery, in that it involves an unhinged captor and her captive’s attempts to escape. Though it’s not labeled as such, to me it almost feels like a (very) dark comedy. I’m not knowlegable about Spanish cinema but I feel like I’ve seen other horrors films that have the same tone, such as Coffee Table. I’m not sure if it’s a cultural thing or what, but it’s a bizarre mix of high tension and a sort of absurdism. It’s worth it just for the performance of Carmen Maura, who I just learned is a celebrated actress with a long list of credits. It must be especially fun for fans who have watched her throughout her storied career, see this over the top performance. That lady has cajones. It’s not for everyone. It deals with dementia, and there is a scene where a dog dies, though even that is presented with a bit of humor, and you don’t really see anything. I recommend it to fairly serious fans of horror.