Dessa is a spoken word artist, author, and MC with the Doomtree hip hop collective out of Minnesota. She’s also earned an M.A. in Philosophy from the University of Minnesota.
She’s released two albums. The first, False Hopes, was an EP from 2005, and the second, A Badly Broken Code was released this past January. I heard about her around this time, when she was profiled on NPR. I was taken with NPR doing an editorial on a hip hop album, and to profile a bit, I was pretty curious about an album made by a white Minnesotan woman with a degree in Philosophy.
It took a couple months for me to remember to check her out, but when I did, I fell in love immediately. The albums are both amazing, with clever and droll lyrics rapped by a hypnotic voice. She also mixes it up, with Dixon’s Girl having a 40s sensibility, Kites being as intimate as anything penned by Ani DiFranco, and numerous other songs, like Matches to Paper Dolls, being rapped over string arrangements.
My favorite song, though, is probably The Bullpen, which is strangely absent from YouTube despite seemingly the rest of her discography being available. It’s a slam against the male dominated rap industry, and the way she, and presumably other female MCs, are treated by them. The entire second stanza, quoted below, makes me smile like a fool:
*It’s been assumed I’m soft or irrelevant
Cause I refuse to down play my intelligence
But in a room of thugs and rap veterans
Why am I the only one
Who’s acting like a gentleman
Good form bad taste
Pity what a waste
All that style, not a thing to say
Looks to me like
A little of your true school
Is at the shallow end of the typing pool
All cloak, no dagger
Just smoke and swagger
I hope that your battery’s charged
Cause I found this here ladder
Now your ceilings don’t matter
Check me out,
Now I got glass floors
*and the first four lines of the second stanza – *They love me, they love me not */ *Pulling pedals off my bike */ *You gotta strike while the irony’s still hot */ No telling what the kids might like – just make me laugh out loud. I fully admit, as mentioned above, that part of my initial interest in her was the seeming incongruity of a white girl from Minnesota rapping, and I love that she acknowledges that she is probably seen as nothing more than a novelty for hipsters, but anyone that actually pays any attention know that she’s more than that. She deserves to be what Lauryn Hill was on track to be following the release of The Miseducation of Lauryn Hill.