So, I don’t want to make this all about Bob Dylan, though I’m happy to argue my case a bit. I want to hear about your examples too.
This is about being a semi-contrarian instead of a hater. Someone is worshiped to the skies, and you appreciate him/her as well–but you can’t quite get to the worship level.
My friend and I went through a big Dylan phase when we were in college in the 90s. We both bought a bunch of albums. He got more into Dylan than I did. Over the years, we’ve argued about Dylan. He can get a bit irate and say, “Dude, why do you have to put Dylan down?!”
Well… I think Dylan certainly has (or had) “It”: the ability to convey a sense of depth and substance. (I’m going to keep using past tense here because I think his best work was in the 60s and early 70s.) He seemed “big” in a way that very few other artists have been able. He was innovative, putting folk and rock together in a new way. He could write both exceptional lyrics and melodies. And I even like his unique mode of singing. But I also have caveats:
• There is the air of bullshit about a lot of his songs. This works both for and against him, IMO. A masterpiece like “Maggie’s Farm” wouldn’t be a masterpiece if it made real sense. But a lot of his songs are in that mode: overwritten and a bit “meaning-y,” as I call it. Instead of trying to say something specific, they rely on poetry overload to bonk you over the head and impress.
Moreover, even though a lot of his songs in this mode (and most are in this mode) work as individual songs, his body of work in the aggregate is a bit fatiguing for me. He’s kinda doing the same thing over and over. He doesn’t possess one of the great virtues of the Beatles, which is variety.
• His work tends to be a bit humorless, even when it’s absurdist. The tone of a lot of his work feels the same to me.
• He’s no master of structure. 95% of his songs are verse/chorus. The aforementioned best friend and I combined our knowledge and sought a Dylan song with a bridge: we came up with “Mozambique,” and even there he seems to have stumbled upon the bridge. I guess “You’re Going to Leave Me Lonesome When You Go” (one of my faves) has a middle eight. I’m sure I’m wrong and there are others–please let me know.
• His harmonica playing is genuinely terrible.
• After a certain date, sometime in the early 70s, he really sucked. There are exceptions after that. “Jokerman” is a genuinely great song. But as happens with most artists, he lost it.
So that’s my thought on that. What are yours on yours?