It took me most of yesterday to recover from Tuesday night’s concert and dinner, and I’m still not really sure where to begin. The concert was mostly a chill affair with a lot of relaxed performances of blues tunes, although a couple of times the band did stretch out as far as it could - more than I remember hearing them do any other time I’ve seen them, actually. After the intermission, Billy Gibbons from ZZ Top sat in, and the entire band went onstage wearing fake gray beards and sunglasses. They kept the costumes on for “Jesus Just Left Chicago,” and it was very funny.
Last week’s show was good but hard to get into, and I didn’t have that problem this time. It helped that my girlfriend was there, but mostly, I knew we had the dinner to look forward to and it left me with the feeling everything was going to be alright. (It also helped that I predicted the opening song. ;)) At a show like that you don’t usually think about what’s happening afterward, but as the second set rolled along I was thinking of that more and more.
My dad and brother rolled to the Beacon in a white limo, and it was there waiting for us after the show. My mom appeared, too, which was a little bit of a surprise. So we filed into the limo with our Make A Wish coordinator guy - his name was Steve; I don’t know his job title or description but I was thinking “genie” - and I took some pictures as we slid around the seats. My brother is still wearing his hat all the time, but it was a baseball cap instead of the knit job this time, and his hair is finally coming back after the chemotherapy. It wasn’t quite enough for him to be comfortable without it, but, spring, crocuses, metaphor metaphor metpahor, it was nice.
The restaurant was five minutes away and mostly empty, since it was around midnight by that point. A very Upper East Side affair. There were red bottles of wine behind mesh nets on the walls, and above our table and behind the bar there was a movie playing on large flatscreen televisions. Fellini probably, but at that hour, with the sound off and subtitles in Italian, who cared?
We’d just placed our drink orders when our guests walked in: Derek Trucks, in a brown coat and with his guitar still on his back in a gig bag, and Oteil Burbridge, in a red and blue pinstriped shirt. Tyler picked his seat carefully so everybody would be on his left - which was good, it would have been hard to tactfully bring up the deafness issue - but musical chairs followed as the guys tried to sit closest to Tyler. In the final arrangement, Oteil sat across from Tyler on the left and Derek sat across from me.
As soon as Derek sat down, he pulled something out of his pocket and plunked it on the table in front of Tyler. It was the slide he’d used on stage that night, and he smiled.
“Be sure to wash that off, get the funk out,” Derek said, indicating the condensed sweat inside the glass.
“No no, it might have some mojo in it,” I said. Everybody’s still smiling. Crostini arrive. Derek is looking at the wine list and I’m talking about video streams of the shows, or some other minor topic, when our waitress dumps a glass of ice water all over me. My father was wearing about four shirts, so I’m set and everybody’s laughing. Drinks are on me. [They actually laughed at this joke; things were going that well.]
Most of the conversation was inside band stuff that’s of doubtful interest to most people here - why they’re playing some songs this month and not others, which of the dozens of guests were the most fun, what’s the story with Dickey Betts, how many notes were “flying around” with John Popper and Sonny Landreth onstage that night, and things like that. My dad had dozens of questions about gear, recordings, and Derek’s tour with Eric Clapton last year. But as the guys told it, they’re having a blast this month. Tyler told them he especially liked Clapton’s appearance last week and Taj Mahal’s spot earlier in the run, which inspired him to borrow a few Taj Mahal albums from my dad.
They played a couple of classic Taj Mahal numbers that night, apparently including “Leaving Trunk” in B-flat. As Derek tells it, Taj doesn’t do that song in B-flat anymore since he’s pushing 70, but he agreed to do it in that key with the Allman Brothers, and nailed it. By the end of the song he was drenched with sweat.
Because my dad was quizzing Derek for most of the two hours we were eating, I didn’t hear a lot of Tyler’s conversation with Oteil. He did have him laughing most of the night. But among the highlights, we were able to get both musicians to do their Howlin’ Wolf impressions, which was funny stuff. I remember Oteil grinning ear-to-ear - which he did most of the night, but even more at this moment - as he talked about pushing Clapton during one song. Derek said Clapton turned to him afterward and said he hadn’t played like that since 1967.
The guys were both pretty impressed that my brother has already seen seven shows this month (8, 9 and 10 over the next three nights), and Oteil offered him a spot on his guest list. He gave Tyler his email address and said he’d be happy to give him a seat onstage any night, a backstage tour, and maybe play his SG bass during the show, which was discussed as a capital-W wish a while ago. I’m sure he’ll take him up on it, but I don’t know which nights he wants. I wish I’d heard more of the conversation. Things definitely went swimmingly for Tyler!
That kindness aside I think the best part of the dinner for me was the weird combination of worlds that was happening. I’ve interviewed both of these guys before and written about them a few times each - Derek Trucks in particular - but not with my family around. Not with my Mom there in particular, sharing calamari and meat and seafood plates, or forking pasta with mushrooms and truffle over to Derek or having him buy wine for everybody. It’s difficult to describe the sensation of watching your mother tell your favorite musician how, as a child, your speeds were “slower” and “goodnight.” A kind of very sweet excruciation, I guess. If anything (for once) I wanted my mother to talk to them some more. I don’t know where she keeps these stories about me. Every time we have dinner with someone, I find out something else ridiculous I used to do. :smack:
I could go on and pull out some more memories but that’s mostly how it went, and I found myself surprised by how much of a lift I got out of the meal. My brother’s response was no surprise- he was digging it in a big way and I hope he enjoys his tour and second seat onstage. We could’ve stayed at the restaurant all night if Derek wasn’t scheduled to record something for MLB.com at 7 the next morning. His manager, who helped us set this up, shepherded him toward the door around 2. I’ve got a handful of pictures of Tyler with the two of them, and my mom and Steve also took several shots each, so nobody could see very well at the end.
As they left, Tyler told Oteil he should convince the band to play a song they haven’t done yet this year called “Instrumental Illness” (it’s really not their best instrumental), because “You’re too fucking good at bass solos” not to play it. If it happens in the last three shows, I think Tyler gets to take credit for it. My parting words to Derek were “I can’t possibly thank you enough”- my time with his band four years ago was some of the most fun and best writing I’ve done and he’s always been cool about these things, like the time he talked football with Tyler after a show a few years ago.
“It’s such a small thing,” he said. Well, yes and no. Getting a free meal and buying a bottle of wine at a nice restaurant after a show, no, it’s no big deal when you tour the world and play with Eric Clapton. Hanging out with a young fan who’s been through all of this, with who knows what else to come, who used a once in a lifetime wish to see you play and share dinner with you, hair (for those who have it) down? No, that’s more of a large thing.