Here’s about as eloquently I feel like responding:
whatever
But I started this, so I’ll respond in good faith.
First of all, my response to FotD was in exactly the same tone as his initial response to my OP: childishly over the top. I look forward to his continued absence from this thread, unless he was just blustering (how likely is that?)
Scylla: I appreciate the effort you put into making your responses appear to be in good faith, and they are not without value, but you make it not-so-subtly clear (*"Usually, in life when I’m not sure how to respond to something because of unstated contexts and history between that person and myself, I find it best to completely ignore them. . . . *) that you enter this discussion without having left your personal bias against me entirely behind. Well, I understand that, and am a little impressed that the above quote appears to be your only such reference to our “history.”
But to respond to your other points: “If you post something like that sans disclaimer, how can you expect people not to take it at face value?” I honestly believed that its absurd hyperbole would make it abundantly clear that the narrator was fictional. I mean, I know I can get pretty pissy around here (especially lately; I’m posting much less frequently so when I do post it’s usually about something that’s gotten me pissed off enough to do so), but surely I don’t have a reputation as an honest to goodness, clinically speaking, psychotic!?!? Hence, I assumed it would obvious that, primarily, I was lampooning those “I can outflame anyone” kind of pit threads.
“If you portray yourself as psychotic without leaving cues that it’s merely a portrayal, then when people react to you as if you were, it’s not them who are being whooshed and not getting it, it’s you.” Again, I think it’s a bit of both here. But of course I’m megalomaniacal enough to imagine that surely some of the 450+ other people who’ve read this thread—the great silent majority—did get it, and didn’t see anything to whine about.
“As a standalone delivered without explanation it’s simply disturbing, and is destined to make people think poorly of you. I expect that you know that, and that was the reaction you were looking for.” And of course I have to admit that this is sometimes the case. I was a Performance Art major at the School of the Art Institute of Chicago, so I think I’ve kind of come to the conclusion, without really having thought much about it, that confusion is often an excellent starting point for a discussion or debate. A response of “Hunh?” is much more conducive of an open exchange than is “Yeah, yeah, whatever.” I really do think that’s probably the most significant thing I learned as a performance artist. It certainly served me well as a dog trainer. When trying to break certain dogs of certain habits, I found it was often useful to get them confused enough so they sat there looking at me, trying to understand what the hell it was I wanted them to do. A quick way to get their receptive attention. Now, someone of course will yip in to protest that I shouldn’t be treating people like dogs, but that’s not the case: this “trick” is something I learned from performing for people, and I adapted it to my work with dogs. So I treat dogs like people rather than vice versa.
Now, none of this part of any conscious plan I had before I wrote the OP; just a bit of insight, if anyone cares, into part of my intellectual history that might be relevant to this debate.
I find I most often use this device in confronting someone about something they probably haven’t give much thought to; a habit of thought. If someone says something casually racist, I might agree with them to an outrageous extreme to get them to realize what they sound like. Or I might pinch a homophobe’s ass to show him how much it surprises him that I would do so, and by extrapolation to show him how absurd his fears of homosexual conversion or predation really are. I think of it as kind of an active sarcasm: a sarcasm of concept more than simply of words. But to be honest, I obviously wasn’t attempting to communicate anything constructive to the actual person I was mad at; ( And this I suppose is unheard of in a pit rant? Oh, wait, no, that’s right: half of all the threads posted here are exactly like that!) it was, ultimately, more about the writing of it than about the anonymous man who made my hair stink.
As far as your litcrit, Scyl, I mostly disagree. I may be wrong sometimes, but I have a great deal of confidence in my critical judgment of my own work. It’s not as good as it might one day be, but I have confidence in my intentions, if not always in their execution. As Flannery O’Connor once wrote in a letter to her editor, “I am amenable to criticism, but only within the sphere of what I am trying to do; I will not be persuaded to do otherwise.” So again, you’d write it differently. Well, go ahead. As far as the Job sense you get, it’s been minimally discussed elsewhere in this thread.
"Cancer and small children dying horribly [are not funny]. . . ." Again, these children do not exist: they are fictional devices in my attempt to see how long I could keep escalating the ill wishes of the OP. I simply refuse to reassure you, or anyone, that I harbor no violent wishes toward any real children. If you still feel I must, after you misinterpreted my OP (albeit apparently with some cause) and, further, after my assuring you at least once that this was not in fact my intention, then that is of course a problem you must work out on your own.
FotD: “Yeah, people, I know he’s just baiting, (in fact, he seems to be a master at it) . . .” Ooh, F, way too old and stinky: that bit of wordplay has been killed to death at the SDMB. But thanks for playing.
“By the way, since you were the narrator, did you realize that you the ‘silly and inconsequential’ are applying to you?” Um, F? I was using the *real * meaning of “narrator,” not the imaginary definition that is yours alone. Sorry; my bad. (There, F, even “my bad” is fresher than “master-baiter.”)
*“No. Maybe a person such as yourself, who views people as ‘advanced animals’, might think so. . . .”*So which is it you’re not, F, animal? or advanced? Fine, from now on I’ll think of you as a primitive rock. (A confession: I was already beginning to think of you in that way.
*". . . Read ‘Animal Farm’ sometime." *I’ve read it several times, F, and I’m in the dark as to what you see as a parallel. I crave your enlightenment.
*". . . You don’t have the balls to stand behind your original statements. Then you admit to the same type of behavior as you so roundly condemn. . . ." *I’m sorry sir, you seem to be lost. Go get help.
Fenris: Some worthwhile nuggets, but see again the Flannery O’Connor quote above.
”. . . I still think that all three children overdoes it . . .” It was four!
”. . . But then, how does the skinhead beating or the cop head-stomping fit into the mise-en-scene of irresponsiblity?” It doesn’t; that would get boring; kind of a one-note thing, don’t you think? Those items are linked to g-d’s doing a Job on him: to fuel his inevitable paranoia that the universe itself wants him dead. Kind of a lame attempt to imply the overseeing presence of an Old-Testamenty g-d.
“. . . [Your pissy suggestion that you were ‘overestimating most of the Dopers’]* shall not endear you to your audience. [Granted.] * And a true artist does not blame the audience for his failure to commuicate his vision. It is the artist’s responsibility to make clear his or her vision, not the viewer’s. ” Of course this is true. And as I continue to work on my fictional serial killers’ journal, many of the points raised above will no doubt serve me well. This little toss off, however, has taken up enough of my time: I see no reason to revise it. To the posters who have made constructive criticisms above, however: I welcome your own rewrites. I’d be curious as to how you’d really do it, as opposed to how you think I* should have done it.
[sub]**This was oddly difficult to code: [I]I[/I*]