I actually prefer most of King’s later stuff.
GERALD’S GAME 1992 - Pretty freaky stuff. I like the internalized dialogue of the main character, and I respect the dude for writing an entire book with only one character. I still look in the empty corner of my room at night and get all creeped out waiting for a necrophiliac to appear, munching on a femur or something.
DOLORES CLAIBORNE 1992 - this was actually my first King book ever, and I love it. I appreciate King’s grasp on the small-town gossip style of the book. And “We didn’t have a pot to piss in or a window to throw it out of” is a part of my vocabulary now, for good or bad.
INSOMNIA 1994 - definitely my favorite. A big move away from the terror genre, but I think King handled the issues of fate and destiny (as well as spousal abuse) winningly. Not to mention the best ending of any book, ever.
ROSE MADDER 1995 - The only King book I didn’t “get” and actively hate.
DESPERATION 1996 - I like this (and the Regulators) a lot, both together, with the mish-mash of characters, and seperately. But Desperation is the freakiest, scariest, and grossest of the two. I mean, who didn’t get terrified over that psycho cop and the story about the Chinese miners? I sure as hell did.
BAG OF BONES 1998 - I recall really liking this book, though I’m going to have to read it again because I’ve forgotten most of it.
HEARTS IN ATLANTIS 1999 - kind of sappy and emotional, but it was a different side of King and I enjoyed it. Looking forward to the movie with Anthonby Hopkins coming out soon.
DREAMCATCHER - awesome stuff. Just finished it about a month ago, and I loved it. I liked that the characters were so ordinary, and King delved concisely into their flaws, but they were still heroic. And Duddits was a great character.
Overall, I think King has moved away from the terror-only path and has well managed more emotional, introspective characters. Dean Koontz seems to be doing the same with the Christopher Snow series and “From The Corner of His Eye,” with great success as well. I see it as a growth of the writers, and I have no issue with it.