I was watching the Three Stooges biopic on AMC last night. The Stooges got started in vaudeville, and converted over to motion pictures… were huge during the depression and war years, but got dumped by Columbia as the Age of Shorts began to decline… then found a whole new career in television, an entertainment form that hadn’t existed when they got started in showbiz!
The Stooges escaped Vaudeville for Shorts… died when Shorts began to decline… and relaunched successfully in Television (making some feature films in the process!). Made me kind of wonder who else has managed that kind of flexibility in our changing society. It also put me in mind of what forms of entertainment have come and gone in just the last century…
VAUDEVILLE: killed by cheap, ubiquitous motion pictures, far as I can tell.
SHORTS: killed by television. I was astonished to find that Columbia Pictures could push a bad movie by insisting that a theatre rent the bad movie if they wanted to show the new Three Stooges short! Unfortunately, “a night at the movies” soon ceased to mean “two cartoons, a short, a newsreel, and a movie.” When I was a kid, you were lucky to get a cartoon and a movie, and the last time I saw a cartoon with a movie was with Honey, I Shrunk The Kids, where they included a Roger Rabbit cartoon with it… Shorts still survive as an Oscars category, but it seems like very few are made every year.
ANIMATED CARTOONS: Originally intended as a sidebar to motion pictures, cartoons for movies are, frankly, simply no longer made. In the 1930s, everyone thought Walt Disney was insane for making a full-length animated feature; nowadays, that’s the only kind of animated feature being made, and now it’s gone digital, for the most part, with the closing of Disney’s animation studio. Animation for television is still going strong, but computers are doing a slow takeover there, too. The Asians are still going strong, though, for the time being…
DRIVE-IN CINEMA: killed by rising film costs and rising real estate prices; a hunk of land is worth more as a subdivision or strip mall than as a parking lot with a movie screen on one end. Barely survives in rural areas.
PULP FICTION: killed by wartime paper shortages, changes in the magazine distribution system, and shifts in American culture and entertainments of choice. Still hangs on, but barely, in the form of things like Weird Tales, Ellery Queen’s Mystery Magazine, and so forth.
TEXT-BASED COMPUTER GAMES: killed by the rapid rise of computers powerful enough to handle complex graphics. Still barely kept alive by a handful of diehards.
COMIC BOOKS: killed by rising costs and distribution woes. Comics, in their original form, were considered a cheap, disposeable form of entertainment; you dropped a dime, you read the comic, you threw it away or gave it to someone else. Comics’ ephemeral nature led to collectibility, but their high labor costs and slim profit margin, combined with the ever-escalating cost of paper and distribution would have killed them by now, if they hadn’t mostly shifted to a direct-distribution system (unlike most other magazines). Comics now seem to hold a stable portion of the market (comic shops and specialty stores), but are difficult to find in ordinary retail outlets; most children do not read comics, due to their scarcity in grocery stores and high prices. Superhero icons are kept alive largely through television, movies, and video games.
Any others I’m missin’? Any comments?