1928-1947
[1] Citizen Kane (Welles, 1941) vs. [16] The Ox-Bow Incident (Wellman, 1943) (22-1)
[2] It’s a Wonderful Life (Capra, 1946) vs. [15] Operator 13 (Boleslawski, 1934) (17-5)
[3] Shoeshine (De Sica, 1946/Italy) vs. [14] The Smiling Lieutenant (Lubitsch, 1931) (13-3)
[4] Double Indemnity (Wilder, 1944) vs. [13] Dodsworth (Wyler, 1936) (21-0)
[5] Sadie Thompson (Walsh, 1928) vs. [12] I Am a Fugitive from a Chain Gang (LeRoy, 1932) (6-13)
[6] The Last Command (Sternberg, 1928) vs. [11] Brief Encounter (Lean, 1945) (4-13)
[7] The Maltese Falcon (Huston, 1941) vs. [10] Notorious (Hitchcock, 1946) (20-3)
[8] One Way Passage (Garnett, 1932) vs. [9] The Great Dictator (Chaplin, 1940) (3-20)
I didn’t expect it to win, but if you get a chance, check out One Way Passage, one of the best romance films of the 30s.
1948-1967
[1] Rear Window (Hitchcock, 1954) vs. [16] The Bicycle Thief (De Sica, 1948/Italy) (18-5)
[2] The Seven Samurai (Kurosawa, 1954/Japan) vs. [15] The Manchurian Candidate (Frankenheimer, 1962) (14-8)
[3] 12 Angry Men (Lumet, 1957) vs. [14] Cool Hand Luke (Rosenberg, 1967) (11-12)
[4] Dr. Strangelove (Kubrick, 1964) vs. [13] Séance on a Wet Afternoon (Forbes, 1964) (22-0)
[5] Sundays and Cybele (Bourguignon, 1962/France) vs. [12] The Shop on Main Street (Kadar/Klos, 1965/Czechoslovakia) (4-14)
[6] Placido (Berlanga, 1961/Spain) vs. [11] Woman in the Dunes (Teshigahara, 1964/Japan) (8-9)
[7] The Third Man (Reed, 1949) vs. [10] Singin’ in the Rain (Donen/Kelly, 1952) (10-13)
[8] Some Like It Hot (Wilder, 1959) vs. [9] The Great Escape (Sturges, 1963) (11-12)
Billy Wilder goes 4-5, but his one loss is his best film. Personally speaking, I can think of 50 better war movies than Escape (IMHO). And if 1/4 of the people who voted for Placido have actually seen it, I’ll eat my hat.
1968-1987
[1] Taxi Driver (Scorsese, 1976) vs. [16] The Conformist (Bertolucci, 1970/Italy) (21-1)
[2] A Clockwork Orange (Kubrick, 1971) vs. [15] Sleuth (Mankiewicz, 1972) (15-7)
[3] Alien (Scott, 1979) vs. [14] The Wild Bunch (Peckinpah, 1969) (8-14)
[4] Chinatown (Polanski, 1974) vs. [13] The Princess Bride (Reiner, 1987) (11-12)
[5] Das Boot (Petersen, 1981/West Germany) vs. [12] The Promised Land (Wajda, 1975/Poland) (21-1)
[6] The Elephant Man (Lynch, 1980) vs. [11] Ran (Kurosawa, 1985/Japan) (2-18)
[7] Mohammed, Messenger of God (Akkad, 1976) vs. [10] Back to the Future (Zemeckis, 1985) (7-16)
[8] La Traviata (Zeffirelli, 1983) vs. [9] Return of the Jedi (Marquand, 1983) (13-10)
Just a hunch but I’m betting there are more anti-Ewok voters than pro-opera ones (though Star Wars still fares better than the Alien franchise overall). And the biggest Round 1 disappointment: a Hostess (butter)cupcake beats out a filet mignon.
1988-2007
[1] The Shawshank Redemption (Darabont, 1994) vs. [16] Into the Wild (Penn, 2007) (21-2)
[2] Pulp Fiction (Tarantino, 1994) vs. [15] Cinema Paradiso (Tornatore, 1988/Italy) (16-5)
[3] Goodfellas (Scorsese, 1990) vs. [14] Downfall (Hirschbiegel, 2004/Germany) (21-2)
[4] City of God (Meirelles, 2002/Brazil) vs. [13] Hotel Rwanda (George, 2004) (15-5)
[5] Fight Club (Fincher, 1999) vs. [12] The Lives of Others (Donnersmarck, 2006) (15-7)
[6] Memento (Nolan, 2000) vs. [11] Spirited Away (Miyazaki, 2001/Japan) (11-10)
[7] American History X (Kaye, 1998) vs. [10] Requiem for a Dream (Aronofsky, 2000) (12-9)
[8] Amelie (Jeunet, 2001/France) vs. [9] Eternal Sunshine of the Spotless Mind (Gondry, 2004) (9-12)