A few unusual picks:
“I Can’t Make You Love Me” – Bonnie Raitt
Lovely and delicate, both musically and in its sentiments, and thus would make a good first dance song, even though it’s too sedate to be a standard dance number.
“Rich Kind of Poverty” – Sam and Dave
A classic, if relatively obscure, 1967 R&B song that works as an anthem for couples who have love but no money – the idea being that we may not have two nickels to rub together, baby, but it’s still great, 'cause we’ve got each other…
“We Have All The Time In The World” – John Barry, Hal David; voc. Louis Armstrong
The love song embedded in the '69 Lazenby Bond On Her Majesty’s Secret Service, used in the falling-in-love montage, and elsewhere as an instrumental theme. Ignore the fact that in the movie, Bond’s bride is gunned down by Ernst Stavro Blofeld as the couple drives away from their wedding reception… it’s really a very lovely song for young couples!
“No Matter What” – Badfinger
An offbeat, somewhat gritty love song (and 70’s nostalgia trip) that doesn’t use the “L” word. A guy declares that, “no matter what” his girl does or becomes, he will always be with her. That may sound like a backhanded compliment of sorts and a shaky basis for a serious relationship, but the upbeat, resolute rock riffs suggest that their bond is for real.
“Is It a Dream?” – The Damned
Uptempo post-punk pop song from the '80’s (with luscious production values, 'natch) from that band’s cabaret-rock period. A song about being bewildered, befuddled, and bedazzled by love (or lust, anyway).
“Earn Enough For Us” – XTC
Almost deceptively upbeat, overtly Beatlesque number related from the point of view of a young groom and expectant father, from their Skylarking LP. Old-fashioned in its theme that the husband will try to be a good provider, albeit with the twist that he’s admittedly anxious about his ability to live up to expectations. An apropos song for couples excited about their uncertain future, it was a 60’s trip when it was released in '86; now its layered musical context will likely be lost on the youngest generation… even as they dance to it.
“Here Comes Your Man” – Pixies
Like XTC’s “Earn Enough For Us,” this was also an inspired exercise in pop formalism, with the great '80’s-'90’s punk rockers offering a pseudo Brill-Building '60’s (or even '50’s!) girl group pop bauble. Nevertheless, the result is fresh-sounding, powerful, and even ecstatic, surging on the strength of the simplest (but irresistible) chord progressions and a bouncy bassline. It’s the pop music equivalent of Microsoft Windows: resistance is futile.
“Camel Walk” – Southern Culture On the Skids [SCOTS]
Even more off-the-wall than “Here Comes Your Man,” this is the declarative song for all men whose girl “makes [them] want to walk… like a camel,” among other silly things. Funky, brash, with 60’s surf guitar and a bongwater redneck sensibility, this song was used over the closing credits and outtakes of the movie Flirting With Disaster.