Researching the subject of “political correctness” I happened upon the following links. Perhaps they will be of use to others:
The Origins of Political Correctness
An Accuracy in Academia Address by Bill Lind
Delivered 10 July 1998 at AIA’s 13th Annual Summer Conference Held at George Washington University
Where does all this stuff that you’ve heard about this morning – the victim feminism, the gay rights movement, the invented statistics, the rewritten history, the lies, the demands, all the rest of it – where does it come from? For the first time in our history, Americans have to be fearful of what they say, of what they write, and of what they think. They have to be afraid of using the wrong word, a word denounced as offensive or insensitive, or racist, sexist, or homophobic.
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http://www.freerepublic.com/forum/a3810eb1e0d57.htm
THE NEW DARK AGE- The Frankfurt School and “Political Correctness”
by Michael J. Minnicino
The Frankfurt School: Bolshevik Intelligentsi
Political Correctness
The Adorno-Benjamin analysis represents almost the entire theoretical basis of all the politically correct aesthetic trends which now plague our universities. The Poststructuralism of Roland Barthes, Michel Foucault, and Jacques Derrida, the Semiotics of Umberto Eco, the Deconstructionism of Paul DeMan, all openly cite Benjamin as the source of their work. The Italian terrorist Eco’s best-selling novel, The Name of the Rose, is little more than a paean to Benjamin; DeMan, the former Nazi collaborator in Belgium who became a prestigious Yale professor, began his career translating Benjamin; Barthes’ infamous 1968 statement that “[t]he author is dead,” is meant as an elaboration of Benjamin’s dictum on intention. Benjamin has actually been called the heir of Leibniz and of Wilhelm von Humboldt, the philologist collaborator of Schiller whose educational reforms engendered the tremendous development of Germany in the nineteenth century. Even as recently as September 1991, the Washington Post referred to Benjamin as “the finest German literary theorist of the century (and many would have left off that qualifying German).”
Readers have undoubtedly heard one or another horror story about how an African-American Studies Department has procured a ban on Othello, because it is “racist,” or how a radical feminist professor lectured a Modern Language Association meeting on the witches as the “true heroines” of Macbeth. These atrocities occur because the perpetrators are able to plausibly demonstrate, in the tradition of Benjamin and Adorno, that Shakespeare’s intent is irrelevant; what is important, is the racist or phallocentric “subtext” of which Shakespeare was unconscious when he wrote.
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http://www.propaganda101.com/SocialPsychology/frankfurt.htm
What Is Political Correctness?
Political Correctness (PC) is the communal tyranny that erupted in the 1980s. It was a spontaneous declaration that particular ideas, expressions and behaviour, which were then legal, should be forbidden by law, and people who transgressed should be punished. It started with a few voices but grew in popularity until it became unwritten and written law within the community. With those who were publicly declared as being not politically correct becoming the target of persecution by the mob, if not prosecution by the state.
The Odious Nature Of Political Correctness
To attempt to point out the odious nature of Political Correctness is to restate the crucial importance of plain speaking, freedom of choice and freedom of speech; these are the communities safe-guards against the imposition of tyranny, indeed their absence is tyranny ( see “On Liberty”, Chapter II, by J.S. Mill). Which is why any such restrictions on expression such as those invoked by the laws of libel, slander and public decency, are grave matters to be decided by common law methodology; not by the dictates of the mob.
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http://www.ourcivilisation.com/pc.htm