Poor Elton

Sorry for starting two threads on the same day, but this one is near and dear to my heart.

I’ve been a big Elton John fan for a long time. I went to college for a semester, and was first exposed to him there. I mean, I’d heard his songs on the radio, and liked them, but had never heard his tracks together and in context. Immediately, he impressed me as a brilliant composer, talented pianist, and exquisite singer.

Back in those days, Paul Buckmaster, who did his orchestral arrangements, called his music “an inspiration, a real turn-on”. And it really was — an incredibly rich variety of melody, harmony, and rhythm spanning every style from opera to gutter blues.

And that glorious, one of a kind voice.

He was famous for doing it in one take in the studio every time. Brian Wilson (the Beach Boys sang backing vocals in Don’t Let the Sun Go Down on Me) remarked that Elton was amazing, knocking out the entire album song by song sequentially in an hour or so, while everyone else did multiple retakes all afternoon for bad notes or timing.

I guess it was the throat surgery, or maybe age, or both or something else, but his voice is a mere shadow of its former glory. It is ordinary, and with a limited range and forced timbre. All the sweetness is missing when he sings Tiny Dancer or Your Song. There’s no more fire in Saturday Night’s Alright For Fighting. No richness in Mona Lisas and Mad Hatters. And certainly no hauntingly high D-flat in Goodbye Yellow Brick Road.

The incomparable falsetto… gone. Absolutely gone. It broke my heart to watch him sing Rocket Man on his Vegas special last night. There used to be a tour-de-force of vocal range on the maaaa-aaaaa-aa-haa-aa-aan just before the bridge. And now it’s a one-syllable, chopped-off man with a couple of ohs added to fill space, and none of it higher than a middle C.

Honestly, I think that if I were a young’un hearing him today for the first time in one of his live performances, I would go, “What the hell is the appeal of this guy?” But as it is, I’m hanging in there for the habit of it more than anything, and the loyalty too. Thank God his old stuff is preserved. It’s the only way to prove to someone that he once had talent.

Elton, honestly you were great once, but it’s over. Of all the people to say this, I thought I would surely be the last. But it’s time for you to quit. Just stop it, and let your legacy be how we remember you.

Happens to them all - I was very disappointed by Brian Wilson’s comeback performances, too. Mind you, I think Mr John has been crap since before the 80s began.

If you want something that captures the exuberance, and the sound, of early Elton John, may I suggest the Scissor Sisters?

Stevie Nicks’ voice has also suffered a decline. What was once a sexy, husky voice with great range is now a raspy voice with limited range. “The Dance” was great but you couldn’t deny even then that her voice had declined. And though I love “Trouble in Shangri-La” it is obvious that she doesn’t have the vocal ability she once did.

I agree. And thanks for pointing out Brian Wilson’s contribution to Don’t Let the Sun… I just put it on, and am surprised I never noticed that it was his voice before.

Sometimes, it just pays to keep listening to the old stuff and don’t go to revivals, sadly. I heard a broadcast of Bryan Ferry doing a bit of a concert at the turn of the millennium. I shouldn’t have. :frowning:

The flame that burns twice as bright, burns half as long. Dude used up his voice giving us the music that few dared to deliver. Well, and age and drugs couldn’t have helped much. Didn’t he finally blow it out during his Australia tour in the 90s? A nasty, gravelly Candle in the Wind comes to mind. You can almost see the blood spraying from his vocal cords.

Yeah, pot mainly. And eldeberry wine. (Bernie even wrote a song about that.) Apparently, it ate up his throat, and he had surgery for cancerous nodules in Australia in '87.

:confused: :eek:

(sorry, could not resist)

Well,at least we still have Tom Jones

Blonide did an A&E special somewhat recently, and Deborah Harry’s voice seems have gone. I don’t know if she had a bad night or what. The crisp powerful notes in the higer pitch were dropped down and were a bit raspy.

When she sang the chorus, “Call me!” in the song Call Me in 1981, she really belted it out and sang it with a punch. Now, she sounds tired. Sad, really.

I was thinking about this phenomenon on the anniversary of Lennon’s death. It is a shame to think of what he might have produced, but then again he did not go through the inevitable decline.

Brian Wilson sounds surprisingly good on the recently re-recorded Smile. I’ve only heard 2 tracks - Good Vibrations and Heroes & Villains. Both sound better than the original Beach Boys recordings.

Yeah, but have you heard him performing live? There was a UK performance at the Albert Hall (IIRC) a year or two ago and it was painful to hear.

Two words - Mick Jagger. You can’t seriously think that’s singing anymore?

OTOH - Sr. Paul sounds spectacular.