Could Saving Private Ryan have been averted if everyone had a cell phone?
No, but E.T. might have been.
Not just a forest. An EVIL forest. The titular Witch was messing with them. That’s why they could walk all day in a straight line and end up back where they started.
What if Spartacus had a Piper Cub?
To be fair, given that Hollywood has fully bought in on the putting-famous-actors-in-CGI business model, the 1994 Best Picture win for Forrest Gump over Pulp Fiction, an arty, talky film referencing French cinema no one except its creator really emulates anymore, was both prescient and correct.
What?!?
Ha! I got it.
Once upon a time… About the only time people (including me) saw The Wizard of Oz was on black and white TVs. I didn’t get the “horse of a different color” line.
I was completely unaware that Kansas was B&W and Oz was color until I bought the Marvel and DC comics adaptation in the Seventies.
https://m.imgur.com/Ppy9fQf?r
Well, she’s a mass murderer, too, sometimes (continuity and depiction being quite inconsistent). I’d say she’s more like the women with Charles Manson, as she was wasn’t originally a hostage, and he didn’t (originally) have the kind of power over her that captors would have.Though that’s far from a perfect comparison, too, and it’s so different. Anyway, It was more psychological manipulation of a person who was free when he was was the prisoner.
But yes, the relationship was toxic and abusive from the start.
Lots of people loathe the 1995 film Judge Dredd, starring Sylvester Stallone.
Lots of people love the 2012 film Dredd, starring Karl Urban.
I am one of them.
The weird thing is, the 1995 film is more faithful to the original comic books.
Judge Dredd is not an homage to hard-boiled detectives.
He is a parody of them.
I dunno about that. Dredd was definitely conceived as a parody of violent cop movies like Dirty Harry, but neither film really seems to lean into that. Which is more forgivable in a film made in 2012, when a parody of late '70s/early '80s action tropes would just come across as dated. The '95 film not only doesn’t come across as parody, it doesn’t seem to realize that it’s the sort of movie that the Dredd comics were invented to make fun of - and it also doesn’t realize that in 1995, the action tropes it was unironically employing were already feeling dated.
The first film does deserve some credit for trying to capture the comic book weirdness of Mega-City One, with flying cars and clones and whatnot, while the second film is basically South Central Los Angeles with bigger slums and fancier guns. I’m not sure that adds up, overall, to a more faithful adaptation, though.
I always thought It! was about a killer clown terrorizing kids.
I disagree, strongly, as a Squaxx dek Thargo of some 40 years. It hews to some original plotlines, sure, but it didn’t have the feel.
And to some it may seem like a picayune thing, but it broke the cardinal rule, and that’s an automatic red card.
Never read the comics, and I gave up after five minutes of the first movie, but I bet I know what that is: Dredd took his helmet off!
(If I’m right, I owe it to the Mandolorian’s helmet rule, which made me think of Judge Dredd at the time… AND the film “Inside Man”, where the protagonist doesn’t show his face. I heard a rumor that Denzel turned down the role for that reason)
Correct.
She’s been written a lot of different ways:
“Do you see that too? I’ve been off my medication and I thought maybe…”
I don’t think I was aware of it until I shared a house with a film-studies student.
And he had been sitting up the back of a film-studies screening, feeling mellow – as film-studies students often did at the time – when the screen burst into technicolor, and he let out a loud whoop – to the amusement of his lecturer and those who already knew what was coming.
Maybe the big toe piggy went to market along with the little toe piggy, intending to exchange said piggy for currency (and knowing full well what would become of the little fella). But the little piggy, upon reaching the marketplace, realized what was up, bolted, and scampered back home as fast as he could, wee-wee-weeing in terror every step of the way.
As a Dredd fan myself, the best thing about Stallone’s version is that they really got the aesthetic right. Urban’s version was much closer to Dredd’s comic book ethos.
They were idiots to not get into EVA suits and decompress the whole boat.
The alien doesn’t need air to breathe.