She was exquisite, wasn’t she? 
The image of her waving her arms in time with the traffic flags breaks my heart.
The Shark, maybe? 
Nah, doc, you’re getting colder. 
Is it the one with that “Duh-dum. Duh-dum. Dum-dum-dum-dum-dum, doodley-doo” music? 
Charlie Brown: THAT’S IT!!!
Shit! I can’t think of the title either! 
The ‘doodley doo’ part really strikes a cord with me. Teeth, maybe?
Nah, that’s too easy to remember!
Kiefer!
Orca? Don’t know it but it’s probably good
Sutherland’s in it?!? 
He’s Canadian, y’know.
Sheryl Crow:
Randy Newman:
Oh, don’t you dare mention that Sarah McLachlan song from TSII, or I’m going to… gonna… excuse me
(Boo, hoo, hoo, hoo. WAHHHHH! ::honk:: )
I always thought the echo-y trumpets from Patton were super cool:
I’m not sure if Psycho has a “theme song” per se, but it’s overall score is pretty iconic, and the early 60s minimalist titles from Dr. No reminded me of it.
And for something completely different: Shaft.
For martial themes, Goldsmith is the man
I would nominate one of the most memorable main title themes of all time: “The Magnificent Seven” by Elmer Bernstein. It also became known as the background music for Marlboro cigarette commercials, the ones featuring the rugged cowboy.
The theme from Caddyshack.
