What are your favorite modern covers of classical music - rocking, amusing, upbeat, unusual, added lyrics, whatever?
Mine:
“The Duel” from the film Electric Dreams - man’s computer accidently gains a personality and falls in love with his celloist neighbor, plays an electronic accompaniment to her solo concert piece through his pager (Minuet #4 in G (BWV Anh.II.114) from “Notebook for Anna Magdalena Bach” by Christian Petzold (formerly attributed to Johann Sebastian Bach)).
“Ode to Joy” by Beethoven played by a rock band in the movie “The Money Pit”.
“Summer” by David Garrett - seems to be an uptempo violin cover of a classic, although I could be mistaken and it could be some movie theme or something.
I enjoy Emerson, Lake, and Palmer’s version of Aaron Copland’s (?) “Fanfare for the Common Man”.
I have often wondered if ELO’s instrumental “Fire on High” cribs from any well-known classical pieces, but I haven’t been able to piece anything together.
ELP - The Barbarian (Bartok’s Allegro Barbaro), Knife-Edge (Janacek’s Sinfonietta), Pictures at an Exhibition (Mussorgsky), Hoedown (Copland’s Rodeo), Toccata (Ginastera’s Piano Concerto #1), Canario (Rodrigo’s Fantasia para un Gentilhombre), Romeo & Juliet (Prokofiev’s Dance of the Knights). Never been crazy about their jammed-out version of Fanfare for the Common Man.
The Nice - Country Pie/Brandenburg Concerto #6 (Dylan/Bach!), Intermezzo from Karelia Suite (Sibelius), Pathetique (Tchaikovsky)
Jethro Tull - Bouree (Bach’s Lute Suite in E Minor)
Yes - Cans and Brahms (Brahms’s Symphony #4)
Procol Harum - Repent Walpurgis (Bach’s Prelude #1 in C from the WTC. Contrary to popular belief, “A Whiter Shade of Pale” is not taken directly from Bach)
How could I forget Procol Harum’s awesome version of “Blue Danube Waltz”? They also did a cool version of Albinoni’s Adagio. And another Jethro Tull one–Faure’s Pavane.
For pure fun, it’s hard to beat Nutrocker by B Bumble and the Stingers in 1962 (Tchaikovsky’s ‘March of the Wooden Soldiers’ from the Nutcracker suite). ELP did a virtually identical version, too.
I’ve also always liked the Doors’ Spanish Caravan, the beginning of which is taken from Asturias by Albeniz.
Emerson, Lake & Powell (not Palmer) did a nice rendition of “Mars. the Bringer of War,” from Holst’s “The Planets.”
Lake used to perform that tune live with King Crimson, who later recorded it under the title “The Devils Triangle” on their second album. (That version never did much for me, though.)