Possibly. But I think more than likely, it’s loosely based on Walt Whitman’s “I Sing The Body Electric,” which also inspired a Twilight Zone episode of the same name.
Sorry, I’m just not hearing it. The song is in a straight 4/4 time. Don’t listen to the drums; listen to everything else. When Geddy sings “One zero zero <pause> one zero zero <pause> one <pause> s. o. s. <pause pause pause>” I’m hearing “one two three four one two three four one two S.O.S. two three four” (approximately)
The first time I saw the title I thought of the Bradbury story, but the THX1138 reasoning makes sense, as well. I guess we’ll have to ask Neil.
And the changes are just Neil Peart’s drumming. No time signature or tempo changes needed. (Neil’s just that good.)
Nah, Geddy is a bass god if he can be the second half of the rhythm section when Pert plays a pattern this weird. Alex can then follow Geddy into the weeds and come out sounding good.