Is the title clear?
It occurs to me that when some remake has made enough money to be moderately successful, they go the usual route and make a sequel, in the hopes of at least raking in a few more bucks. Probably because they want to express themselves artistically, don’t want to be shackled by previous work, and want to avoid the stigma of making a lame remake of a lame movie (since the original sequel was, after alol, made quick and cheap to cash in on the success of its original film), the sequels of the remakes have nothing to do with the original sequel.
Examples:
The Fly. Original sequel Son of the Fly , followed by the justly forgotten Curse of the Fly. The sequels were black and white, with rotten special effects, unlike the full-color original.
Sequel to the remake: The Fly II. Also about the Son of the Fly from the original film, but the new film had nothing to do with the earlier sequels. It was, at least, in color, and the effects were good.
Father of the Bride – Spencer Tracy is Elizabeth Taylor’s dad in the original. The sequel is Father’s Little Dividend, about the baby.
Sequel to the remake: Father of the Bride II. No resemblance.
King Kong – Classic flick, ground-breaking special effects. Box office success, credited with saving RKO. Re-released many times through the 1950s, after which it became a TV staple for years. Naturally, they gave them everything they needed to make a quality sequel. Guess again. They got months and a fraction of the budget to make Son of Kong, which still ended up being watchable. But it coulda been a contender if they’d given them the budget and time.
The sequel to the 1976 travesty was King Kong Escapes, which picked up where the de Laurentis film ended. Kong gets a heart transplant and a mate. Linda Hamilton stars, and her career miraculously survives.
Thinking about it, I cabn’t really think of any examples of remakes of sequels (by the folks who did the remake of the original) that really does follow the plot of the original sequels, unless both versions are based on a well-known literary source that they wouldn’t dare screw with (like Hound of the Baskervilles) Any examples? For that matter, any other sequels of remakes of any kind that aren’t remakes of sequels?