So I'm listening to the Beatles...

Didn’t mean to abandon this thread, it’s just been busy with school starting up again. I have been slowly going through the songs, but haven’t had any luck finding the actual albums anywhere.

Onto *A Hard Day’s Night *:

“A Hard Day’s Night” The energy in this song was great, and I loved the lyrics and the beat. Apparently John Lennon wrote the entire song in one night, which is pretty damn impressive. The ride cymbal throughout was a nice touch.

“Tell me Why” This song was all right. Repetitive and not very interesting, but of course the vocals were top-notch.

“I’ll Cry Instead” Pretty disposable, though the dark-edged lyrics were kind of a nice change.

“I Should Have Known Better” Huh. The lyrics were pretty syrupy, and the instrumentation was kind of feeble and half-hearted, it seemed. If I hadn’t heard John Lennon’s amazing voice, I wouldn’t have thought it was the Beatles.

“I’m Happy Just to Dance with You” I liked the guitar on this one but the backing vocals were a little bit annoying. Kind of boring overall.

“And I Love Her” This one was great. Loved the bongos and the smooth, slow vocals. Really beautiful song.

“If I Fell” Liked the drums and the harmony on this one; very romantic and sweet song.

“Can’t Buy Me Love” Didn’t care too much for this one. It was a little too chirpy and almost sounded unnaturally manufactured.

So, this album didn’t really cut it for me. Moving on…

Something New

“Things We Said Today” Wow. The instrumentation throughout was brisk and beautiful (I loved the opening guitar chords), while Paul’s clear, crisp voice was almost hypnotic. Probably the best vocal I’ve heard from him; also, the lyrics were great.

“Any Time At All” The vocals were nice and raspy on this one. I wasn’t fond of the piano and guitar, though, as they became grating very quickly.

“When I Get Home” Hmm. I liked the frenzied, almost hysterical sound of the song; it was an interesting change.

“Slow Down” The vocals and guitar were too manic for me to enjoy on this one. I know, it was an intentionally fast song, given the subject of the song, but still.

“Matchbox” Again, kind of meh. Didn’t care for the vocals, and the guitar was a little too twangy.

“Komm, Gib Mir Deine Hand” Heh, well this was different. Pretty similar to the original English song, but it was interesting to hear a different version.

Beatles ’65:

“No Reply” Not bad, but the chorus was a little bit pitchy. The rest of the song had a very nice sound.

“I’m a Loser” Loved the harmonica and the guitar solo, and the lyrics were very fun. When Lennon hits the low notes (I think it’s a low G), I just melt.

“Baby’s in Black” Loved the little guitar solo about 2/3 of the way through, and of course the vocals were amazing. Lennon and McCartney singing together is always a treat to hear, and I liked the mellow tempo of the song.

“Rock and Roll Music” I’m familiar with this song from The Beach Boys, but this version is much more enjoyable. It seems much quicker, with a better overall sound, and Lennon’s voice is perfect for it.

“I’ll Follow the Sun” Beautiful vocals once more from Paul McCartney. Loved the instrumentals and the tone of the song.

“Mr. Moonlight” Nice vocals but the organ solo was a bit out of place. Mostly forgettable song.

“Honey Don’t” Bit weak on the vocals for this one. Guitar work was pretty feeble as well.

“I’ll Be Back” Liked the dark, brooding sound, and the flamenco guitars were a nice, different touch.

“She’s a Woman” The simple structure of the song was a good way for Paul to show off his vocals. Not too shabby.

“I Feel Fine” Loved every aspect of this one. The guitar riff was so smooth, it was superb. The first few seconds were great, and the vocals were crystal clear throughout. Also loved the mellow sound of the song.

“Everybody’s Trying to Be My Baby” Nice and fun, but a little repetitive.

The Early Beatles:

I’ve heard all these before except “Ask Me Why”, which had nice vocals and overall was pretty good.

Beatles VI:

“Kansas City/Hey Hey Hey Hey Medley” I liked the different feel of this one; it was much more bluesy and a little less commercial than some of their other songs.

“Eight Days A Week” Liked the clapping and the opening guitar on this one. Not a classic, but still fun.

“You Like Me Too Much” Liked the vocals and the old-timey piano on this one, but the lyrics were a little bit creepy and aggressive.

:eek:

“Bad Boy” Mm. Loved the raspy vocals on this. Very fun, rocking song.

“I Don’t Want to Spoil the Party” Liked the engaging sound contrasted with the soft, melancholy lyrics.

“Words Of Love” Didn’t really care for the guitars, and the song overall kind of put me to sleep.

“What You’re Doing” Loved the guitar on this one and the background “ooh”s. Vocals were intoxicating.

“Yes It Is” Ugh. Slow and dragging and very boring all over the board.

“Dizzy Miss Lizzy” Didn’t like the guitars too much, but the vocals were great. Not really my kind of song.

“Tell Me What You See” The slow, easy feel of the song was very nice, and the vocals were once again hypnotic.

“Every Little Thing” Very sweet and romantic, and the raspy quality of John’s voice is such a nice touch. Also loved the instrumentation, especially the timpani drum.

My impression so far is that most every song has something great to offer - some great guitar work, some impressive vocals. And it really seems that the Beatles enjoy what they’re doing; the energy and vitality come through very well.

More to come.

Side question: The copyright on sound recordings in the UK lasts 50 years from publication. Thus, all recordings published before 1959 are now out of copyright in the UK. However, the copyright on the songs remain for the life of the songwriter(s) plus 70 years. In the U.S., songs under copyright have what is called a “mandatory license”, meaning that anyone can record and/or distribute a song as long as a set license fee is paid to the song publisher. Does the UK have this mandatory licensing? What I am wondering is if any UK record company will, in a few years, be able to offer Beatles recordings, as long as the song licensing fee is paid?

I’ll be following this thread with great interest. I’m a big fan of The Beatles and love the early stuff all the way through to Let It Be. The comments on songs have been pretty much bang-on thus far; I disagree here and there but respect your opinion. These guys were the real deal: they wrote their own songs, played their own instruments, and continually strived for different sounds and ideas. You couldn’t manufacture a band today with such talent even if you covered the globe. And these guys just happened to know each other from school in Liverpool. Unbelievable really.

One thing that stands out for me in the selection you’ve just listened to is actually how many forgettable songs the Beatles did. Don’t get me wrong: I’m one of their biggest fans, but these tracks are hardly their greatest. The Beatles have said that as these were made during their manic touring period they didn’t have the time or energy that would have liked to devote to them. Because you’re listening to the US releases, they’re not in strict chronological order, but the Beatles '65 and VI are centred around Beatles For Sale, their least impressive album, IMO.

Better things are to come. :slight_smile:

It’s a shame it wasn’t the UK version of the A Hard Day’s Night album, which IMO is the best Beatles album. The US version lacks “Things We Said Today”, “You Can’t Do That”, “I’ll Be Back”, and “Anytime at All”, pretty major omissions in my book.
Uniquely, every single song on that album is credited Lennon-McCartney.

I can thoroughly recommend the compliation re-issue album ‘Love’, wehich accompanies the Cirque Du Soleil show (also fantastic).

My sister went to a live Beatles show in the early sixties, but she said all she could hear was girls screaming. :eek:

Yes, I agree. If I had to choose only one Beatles album, this would be it. Nearly all the best music, beautifully segued and beautifully recorded.

I saw them in London at one of their Xmas shows in 1964. I’ve still got the program with illustrations by John Lennon. The Yardbirds and Freddie and the Dreamers were among the support acts. I was deafened and astonished by the screaming, too.

If I understand it correctly, the answer to your question is yes. Cliff Richard tried to get the UK government to extend copyright beyond 50 years but they haven’t.

Aren’t the EU trying to rush through an extension to 95 years?

Please note, however, that there are a few songs that didn’t get on to the US LPs. For example – I may have just missed it, but it looks like you didn’t review the song “Please Please Me” itself, which is one of my 10 favorite Beatles songs.

It’s on The Early Beatles. I think Stauderhorse just forgot to mention it.

Most of the tracks on The Early Beatles had previously appeared on Introducing… The Beatles, which was not a Capitol Records release.

Whoops, you’re right, I missed that one. Just listened to it, and loved it. Great energetic vocals, harmonica, drums, everything was top notch. Thanks for mentioning that.

Ok, onto the next few albums:

Help!

“Help!” Loved the tempo and the guitar on this one. I’ve said it a thousand times before, but the quality of the vocals really do put this song in another dimension.

“The Night Before” Really enjoyed Paul’s vocals on this, and the backing vocals gave the song a consistent feel.

“From Me to You” The beginning was a little shrill, but I loved the drum and harmonica work on this one.

“You’ve got to hide your love away” Really loved this one; the slightly scratchy, raspy voice was great, and the mellow, even guitar work was nice. The vocal work on the chorus was especially nice, and the flutes were an interesting touch.

“I Need You” I swear, double-tracked vocals sound so cool, especially with the great voices they have. Actually didn’t care for the instrumentation; the guitar had an off sound and the cowbell really didn’t need to be there.

“Another Girl” This one was pretty fun, actually. Loved the energetic guitar work.

“Ticket to Ride” Actually didn’t like this one. Guitar was annoying throughout, and the vocals were nothing special.

“You’re Gonna Lose That Girl” Pretty cool song, loved the little guitar portion halfway through; very rocking.

Rubber Soul

“I’ve Just Seen a Face” I liked the opening portion of acoustic guitar, very soulful and sweet. The rest of the song was nice, but it would have been even better if the vocals had had a little more gusto to them. This is blasphemous, I know, but I kind of prefer the version in Across the Universe; it has a little bit more energy than the Beatles version.

“Norwegian Wood (This Bird Has Flown)” This was an absolutely beautiful song; John Lennon’s vocals were top notch. The guitar and the sitar (had to look up what that was!) was mesmerizing.

“You Won’t See Me” Nice lead vocals, not sure about the background “la-la-la”s. Nothing too memorable, overall.

“Think for Yourself"” Liked this one; very groovy guitar work. The vocals sounded a little fuzzy and almost distorted, which just added to the effect.

“The Word” I am loving this album so far; absolutely great, imaginative guitar and drum work. Killer vocals as well.

“Michelle” I love the soft guitar work throughout and the background vocals were very nice.

“It’s Only Love” Fantastic, emotion-filled vocals and creative guitar and drum work. Loved it.

“Girl” The guitar work was a little bit boring, and the background vocals were a little bit unnecessary. John Lennon’s vocals, though, were amazing.

“I’m Looking Through You" Actually didn’t care for this one; the vocals were a little shrill, and the guitar work was nothing special.

“In My Life” Oh yeah, I can see why this is such a classic. Loved the sweetly nostalgic vocals and the instrumentation. Listened to this one about five times.

“Wait” Nice change from the slow pace of the album so far. Good vocals, but I don’t know that the maracas (I believe that’s what it was) were really necessary.

“Run for Your Life” Huh. Great vocals and guitar work, but the lyrics were very angry and threatening; it kind of makes it impossible to enjoy the song.

Overall, I really liked Rubber Soul. It seems like their first album in a while where pretty much everything came together at the right time in the right way. Probably my favorite album so far.

Yesterday and Today

“Drive my Car” Not really my favorite song. I liked the cowbell but not the overall sound of the song.

“I’m only Sleeping” The backwards guitar was interesting, though I wasn’t fond of the song’s dreamy quality.

“Nowhere Man” Liked this one a lot; harmony vocals sounded great. Also loved the guitar work, and the lyrics.

“Doctor Robert” Really liked the guitar on this one, very creative but somehow familiar-sounding.

“Yesterday” Loved this song immensely. It had such a sweet, sad sound; the violin and guitar was so perfect, and Paul’s vocals were clear and beautiful.

“Act Naturally” I liked the lively guitar, but wasn’t all that fond of Ringo’s vocal stylings; they got old after a little bit.

“And Your Bird Can Sing” Uch. Didn’t care for the sound of the guitars, and the vocals were a little bit annoying.

“If I Needed Someone” Liked the harmony vocals on this one, but wasn’t all that fond of the guitar.

“We Can Work It Out” Loved the energetic guitar throughout.

“What Goes On” The twangy guitar was fun, and the somewhat deep-sounding vocals were a nice fit for the song.

“Day Tripper” I can’t get enough of the guitar on this song, and Lennon’s rough vocals are just fantastic.

Also, sorry that this is going slow. Just don’t want to rush through all this, I’m really enjoying it so far.

Gah, these are hard to follow. So many of the songs on that last album were cut from Rubber Soul and Revolver that I fear you will be missing those albums’ full impact (as for me, I consider Revolver one of the finest, if not the finest, rock and roll album ever made).

Give this one another try. It will grow on you.

Try listening to “Ticket to Ride” while imagining a highly-stoned The Fab Four frolicking in the Austrian Alps.

Or, you can watch this clip from Help instead… :smiley:

Stauderhorse:

Thank for continuing this: it’s very interesting.

One thing I was wondering. Are you aware of any of the circumstances/context/mudane but pointless facts around what you’re listening to?

For example, which of the tracks were singles?
Day Tripper and We Can Work It Out was the world’s first double A side 45.
Dr Robert was the Beatles acid dealer.
In Norwegian Wood, John was trying to describe a one night stand he’d had while disguising it from his wife Cynthia.
From Me To You was actually the Beatles third single, released in 1963, so musically completely out of place on the the US version of the Help album released 1965.
And, as has been said, the UK release of Revolver is often considered to be one of the greatest albums of all time. The US release consists of tracks from Help, Rubber Soul, Revolver and singles, and has almost no conection with the UK release.
And so on. I could bore for England on this, so I’ll stop there.

Do you think that (if you don’t already know) this sort of information, it would increase your listening pleasure? I can’t imagine what it must be like listening to all of this with no context.

Just a word of warning about “Revolver”. It was the first album recorded by the Beatles after they started doing acid, and although the material is still mostly in the mid-60s pop vein (i.e., prior to full-blown psychedelia), it’s a bit less “user-friendly” than much of their other stuff… it may need at least two listens. (Actually, on Yesterday & Today, you’ve already heard some of the material that was on the British Revolver.)

Also, there are three non-LP songs from this period: “I’m Down”, which was the flip side of “Help!”, and the single “Paperback Writer”/“Rain”, which was released shortly before Revolver.

If you’re going through the American albums, you’ll hear “Paperback Writer” and “Rain” when you get to the Hey Jude album. “I’m Down” is one of the few Beatles songs I never heard until the release of the “Past Masters” CDs.

**Rain **is essential listening - preferably watching the video, which I have seen at various points on youTube.

Revolver is my favorite Beatles album and therefore my favorite album of all time. It’s material reflects the psychedelia, but I wouldn’t call it less “user friendly” merely less poppy. But what is amazing about the Beatles is how they consistently demonstrated excellent songcraft and focus on structure and melody, so their songs remain anchored on very accessible components. Tomorrow Never Knows in any one elses hands - I don’t even want to think about it…

Also, Revolver can be a deceptive listen because it seems like every song launched it’s own musical movement - or at least broke down commercial barriers, bringing different styles to popular music and rock.

I HIGHLY recommend that any of you enjoy this site. In it, musicologist/Beatles fan Alan Pollack goes through each Beatles song, figuring out just what makes it “tick”. It helps to know some music theory basics, but that is not essential to get a lot out of this terrific site.

Plus, it’s added a new phrase to my everyday vocabulary. Whenever I, say, fail to take out the trash, I’ll just tell my wife, “Hey, I’m avoiding foolish consistency!”