So I'm listening to the Beatles...

Me again.

Revolver

“Taxman” Great start to this album. Seriously kickass guitar work, with some impressive lead vocals by George Harrison. Also loved the sardonic lyrics.

“Eleanor Rigby” The string octet, and especially the violin throughout, was haunting, strident and heartbreaking. The lyrics were amazingly solemn, and the vocals were perfection. Had to listen to it a few times because I was so blown away.

“Love You To” I loved that the personality of the band shone through despite using very different instruments than what they were used to. Vocals were great, and instrumentation was excellent. I love how it kind of picks up speed towards the end, then fades on out.

“Here, There and Everywhere” The lyrics were very sweet, and I liked the guitar; the vocals were honestly a little bit weak, I thought. Just a little too soft and cloying for my taste.

“Yellow Submarine” Liked this one; the simple sound was an interesting contrast from the rest of the album. The acoustic guitar was especially nice.

“She Said She Said” This was evocative of some of their earlier songs, with Lennon on lead vocals. The guitar and drum work was really great.

“Good Day Sunshine” I liked the piano, but this one really wasn’t anything special.

“For No One” Loved the sound of this one, especially the piano and the French horn. The lyrics were poignant and fresh; McCartney is a damn great songwriter.

“I Want To Tell You” Eh. The piano was a little bit ponderous, and the vocals weren’t really anything special.

“Got to Get You into My Life” Again, nothing special, but I liked the horns.

“Tomorrow Never Knows” This was so different than anything I’ve heard before. The effect of the tape loops and the somewhat distorted vocals was interesting, and I even liked the drum work.

Sgt. Pepper’s Lonely Hearts Club Band

“Sgt. Pepper’s Lonely Hearts Club Band” Love the opening guitar and the horn quartet. The overall sound of the song was so rocking.

“With a Little Help from My Friends” Didn’t care for the lead vocals on this one, but the backing vocals were pretty good. The last note was great, as was the piano.

“"Lucy in the Sky with Diamonds” The lyrics were wonderfully bizarre, and I loved the vocals. Also loved the arrangement; the best part is directly after “look for the girl with the sun in her eyes and she’s gone…” when there are three drumbeats, and then they just start belting it out. That short little segment just gives me chills.

“Getting Better” I liked the vocals, but didn’t care for the guitar. It was just a little too shrill for me.

“Fixing a Hole” Great vocal work, especially the “ooh” backing. Nice guitar work as well.

“She’s Leaving Home” I liked the dreamy vocals, and the lyrics were just heartrending. Very different from most pop songs I’ve heard.

“Being For The Benefit of Mr. Kite!” Vocals were great, but the arrangement, especially at the end, was a little bit needlessly complicated.

“Within You, Without You” These guys have come a long way from “Please, Please Me”, haven’t they? I don’t even know what to say about this song, except that the arrangement was fresh and exciting; it’s easy to see that George Harrison put his whole heart into this. Oh, and the lyrics were magnificent.

“When I’m 64” This one was annoying and cheesy as hell. The clarinets gave the song an overly simplistic sound that I really didn’t care for.

“Lovely Rita” The piano was very fun on this one, and the whole arrangement had a great sound.

“Good Morning Good Morning” Liked the drums on this one, but everything else was a little too harsh and shrill for me to enjoy.

“Sgt. Pepper’s Lonely Hearts Club Band (Reprise)" Loved the guitar and the faster vocals.

“A Day in the Life” I like this song even better now that I’m more familiar with how the Beatles have progressed over time. Vocals were unbelievable, and the drums and piano were out of this world. Also loved the fact that it had both John and Paul singing separate parts.

Magical Mystery Tour

“Magical Mystery Tour” Good start to the album. Loved the trumpets and the somewhat shrill vocals.

“The Fool on the Hill” The lyrics were great on this one, as were the flutes and vocals.

“Flying” The first minute of this song was simply amazing; some of the best guitar work I’ve heard in a long time. Loved the fact that hardly any vocals were needed. The tape effects at the end were a little bit pointless, though.

“Blue Jay Way” This was an interesting song; I liked the fact that it wasn’t entirely coherent, but still worth listening to. It got a little bit annoying and repetitive at the end.

“Your Mother Should Know" Liked the piano and the very smooth vocals; it was much more reminiscent of their early work.

“I Am the Walrus" I’ve heard this one quite a few times before, and it remains one of my favorite songs. The lyrics and wordplay are so clever and fun, even though they don’t make any sense. The vocals had a certain quality to them that brought the whole complicated arrangement together. The whole song felt like getting lost in some unknown but beautiful wilderness; and yet there was that one familiar element that took away your uncertainty and let you enjoy the whole ride.

“Hello Goodbye" Really liked this one; the guitar and vocals were clear and just so beautiful. Very fun song.

“Strawberry Fields Forever” Actually didn’t care for this one. The drums and vocals had a distorted, slow, arduous sound that wasn’t all that great to listen to.

“Penny Lane" This was a nice, lighter song; the instrumentation and vocals were great.

“Baby You’re a Rich Man” The guitar and vocals were great on this one; it had a very unique sound.

“All You Need Is Love” This song made me cry. The lead vocals from John were so beautiful, and the message of the song came out so clearly. It wasn’t my favorite in terms of instrumentation, but it was still great.

The White Album

“Back in the U.S.S.R.” This one was pretty fun; very different from what they’ve been doing up until now. I realize it was kind of a tribute/parody of “Back in the USA” and “California Girls”.

“Dear Prudence” Really loved this one. The lyrics were very beautiful and meaningful. It’s interesting that the girl was named “Prudence”, in that it could be referring to the specific girl, or to anyone who is too prudent or cautious for their own good. The band seems to be advising both the girl herself and the world in general not to let fear or worry hold them back. And of course, the vocals and the arrangement (especially the way it speeds up towards the end) were amazing.

“Glass Onion” Another really great one. Vocals and guitar matched the heavy tone perfectly.

“Ob-La-Di, Ob-La-Da” Very catchy and fun; loved the piano. Interesting to see the difference between this style of song and that of “Glass Onion”. It’s starting to show that John and Paul are interested in very different styles of music at this point.

“Wild Honey Pie” This was a weird song. Didn’t really care for the vocals or guitar.

“The Continuing Story of Bungalow Bill” Liked the guitar and vocals, but it got a little repetitive towards the end.

“While My Guitar Gently Weeps” Completely amazing guitar work; vocals and lyrics were fantastic.

“Happiness Is a Warm Gun” Absolutely stunning song. The guitar solo is one of the best I’ve ever heard, and the whole song is just full of unbridled, rough passion.

“Martha My Dear” Eh, a little too cheesy for me, but I liked the trumpets.

“I’m So Tired” Really loved this one. The slow, sad, raw, yearning vocals were fantastic, as was the guitar.

“Blackbird” It’s hard to describe how beautiful this song was the first time I heard it. The lyrics were simply amazing and almost brought me to tears. The sweet, simple guitar was wonderful. Whole song just gave me chills.

“Piggies” Interesting song. Liked the grand sound of the harpsichord, and the lyrics made me laugh.

“Rocky Raccoon” Really liked the guitar and bass, and it was a fun song.

“Don’t Pass Me By” Liked the violin, but I really don’t care for Ringo’s vocals.

“Why Don’t We Do It in the Road?” The opening drum section was fantastic, and I loved Paul’s unbridled vocals. Very fun and cool song.

“I Will” Eh, vocals were sweet, but the instrumentation was a little bit uninspired.

“Julia” Very calm and transcendent song; vocals and guitar were great.

“Birthday” Liked the enthusiasm, but it got a little annoying after a bit.

“Yer Blues” The guitar and vocals were really great and raw on this one.

“Mother Nature’s Son” The vocals were beautiful, and I loved the guitar as well.

“Everybody’s Got Something to Hide Except Me and My Monkey” Liked the vocals, but the whole arrangement was a little chaotic for me.

“Sexy Sadie” I liked the kind of low sound on this one. Piano and guitar were great.

“Helter Skelter” Wow, this was sung by Paul? Didn’t know he could blow out his voice like that. Guitar was amazing, and I loved the lead and background vocals.

“Long, Long, Long” I loved the soft quality of the vocals and guitar, and the organ music was a nice touch.

“Revolution 1” Loved the easy sound, vocals, and arrangement of this one.

“Honey Pie” Pretty good song. The music hall sound works much better than in “when I’m 64”; loved the clarinets and vocals.

“Savoy Truffle” Great song; guitar work was great, as were the vocals.

“Cry Baby Cry” Loved this one as well; piano and guitar blended together very nicely.

“Can You Take Me Back (Outtake)” This little number (which I wouldn’t have known about if Wikipedia hadn’t mentioned it) had a very strange, creepy, mesmerizing quality to it. Very good.

“Revolution 9” Erm…this was just a bunch of sounds, conversations, and tape effects thrown together. So…not really my favorite track.

“Good Night” Arrangement was so beautiful on this one, especially the violins.

Wow. I just finished The White Album last night, and I feel like I’m almost finished with an amazing journey. I’m so glad I kept up with this (even though it took way longer than I thought); as good as their early stuff is, the last five albums I’ve heard were, I think, better. The ingenuity and spirit of this music is really some of the best I’ve ever heard. Every new song is like a treasure, and I’m sad knowing that I’m almost through with this catalog. Not every song is an unadultered masterpiece coughRevolution9cough, but the band has really struck a chord (heh) with me. I’ll cherish the first time I heard “Blackbird” and “Happiness is a Warm Gun”, because I know I won’t experience anything like this again.

More to come.

“Dear Prudence” is about a sheepdog. (or was that Martha My Dear?)

I do skim the Wikipedia articles for each of the songs (and yes, there is an article for pretty much every song), and learn a bit about the circumstances. I did know that about Norwegian Wood (which gives the song a whole new dimension) and Dr. Robert. It was also interesting that “She’s Leaving Home” was inspired by a real runaway; funny how a song can give significance to something that would otherwise be mundane to most people. It was also really cool that a real life “Eleanor Rigby” was buried near a “McKenzie”; kind of gives us hope for the lonely people, doesn’t it?

Yes, Martha was Paul’s sheepdog, Prudence was Mia Farrow’s sister, Sexy Sadie was the Maharishi, Julia was John’s mother and the Monkey was Yoko.

Welcome back, and many thanks for continuing to document your way through their albums. I love this psychedelic era; they were truly innovative then. I’ll never forget buying Sgt Pepper on June 1st 1967, the day of its release. It was, fittingly, a beautiful summer’s day. On that day, music changed forever.

I’m glad that you Wiki the songs. It’s notable how many of them have a back story.

One more time…

Yellow Submarine

“Only a Northern Song” I liked the beginning, with Harrison’s bitter, apathetic lyrics; the loose, almost messy arrangement fit very well. Towards the end, it just got a bit painful to listen to, like he didn’t really put any effort towards it. That was probably the point, though.

“All Together Now” Hmm. Honestly, this was kind of annoying and shrill. Didn’t care for it too much.

“Hey Bulldog” Really loved this song. The piano, bass guitar, and rough vocals were absolutely great, and I loved the mad barking and yelling.

“It’s All Too Much” The instrumentation was a little too strident, but the vocals were great.

“Pepperland" This was a beautiful song; loved the flutes.

“Sea of Time” A little bit too light and fluffy for me; it sounded commercial and forced.

“Sea of Holes” A little too slow.

“Sea Of Monsters” Again, nothing particularly special.

“March of the Meanies" Not all that memorable.

“Pepperland Laid Waste” Couldn’t finish this one; cloying and annoying.

“Yellow Submarine in Pepperland” Finally, something worth listening to. Absolutely loved the instrumentation on this one. Of course, “Yellow Submarine” was a cool song to begin with, but I kind of like this version better. The lyrics are a little lacking, but the song itself is great.

So, this was a fairly unusual for a Beatles album. Only two songs were really great and memorable, IMO. Moving on.

Abbey Road

“Come Together” I’ve heard this one before, and I love it. The guitar and drums are magnificent, and I absolutely adore the arrangement and lyrics.

“Something" Wow. Absolutely beautiful song. The smooth, soft vocals and sensitive guitar were great, as were the lyrics.

“Maxwell’s Silver Hammer” I’m familiar with this one as well. I love how the playful tune contrasts with the sinister lyrics. One of my personal favorites.

“Oh! Darling" Getting back to the rock roots, I see. I’ve never heard this one before, but I loved the piano and (main and background) vocals.

“Octopus’s Garden” Okay, the lyrics were silly and made me laugh. But the guitar was awesome, and Ringo’s vocals (which I usually don’t care for) were wonderful. Very cool, mellow song.

“I Want You (She’s So Heavy)” I loved the repeating, hypnotic riff on this one. At first I was annoyed at the way it cut off, but then I realized it was kind of perfect. You feel yourself getting lost in this song, and at the end, it’s like someone snaps their fingers to wake you from your daze. Very cool song.

“Here Comes the Sun” I loved the soft, gentle acoustic guitar, and the vocals and lyrics were beautiful.

“Because” The ethereal quality of the song was interesting, and I liked the guitar work.

“You Never Give Me Your Money” I liked the guitar work, but overall, this was nothing special.

“Sun King” Absolutely loved the first minute of instrumentals; very smooth, beautiful vocals as well.

“Mean Mr. Mustard” Loved the rocking feel of this song, and nice guitar work.

“Polythene Pam” Liked the guitar, but the vocals were a little shrill.

“She Came in Through the Bathroom Window” I liked the tambourine and festive tone of this one, as well as the guitar.

“Golden Slumbers” Loved the sweet lyrics and piano.

“Carry That Weight” I liked the vocals and the somewhat frenzied sound of the song.

“The End” This reminded me a lot of their earlier work; drums, guitars, and Paul belting it out. Loved that line about “The love you take is equal to the love you make.”

“Her Majesty” I liked the folksy guitar and the soft vocals.

So I absolutely loved Abbey Road; probably one of my favorites, next to Revolver and Rubber Soul.

Hey Jude

“Paperback Writer” Loved the guitar and fast-paced feel of the song.

“Rain” Liked the vocals very much on this one.

“Lady Madonna” Nothing special; the saxophone was kind of annoying.

“Revolution” The guitar work was a little crazy, but I liked the vocals.

“Hey Jude” This was one of my favorite songs before I even knew who the Beatles were. I love the vocals and piano, and the lyrics are beautiful. It says something that four minutes of nothing but “na-na-na-na hey Jude” can be so enjoyable and sweet.

“Old Brown Shoe” Nothing particularly great about this one; the organ was a bit grating.

“Don’t Let Me Down” Didn’t care for the organ, but I liked the lyrics and “primal scream” vocals.

“Ballad of John and Yoko” Loved the feel of this one, especially the piano.

A few memorable songs on this album, but overall not the greatest.

Let it Be

“Two of Us” Liked this one very much; great harmonies, guitar, and drums.

“I Dig a Pony” Guitar and drums were very rocking.

“Across the Universe” Very mellow and beautiful. Loved the vocals and guitar.

“I Me Mine” Eh, the bass and organ were a little bit annoying.

“Dig It” Pretty shrill and annoying; the guitar got on my nerves.

“Let it Be” One of my favorites. The lyrics are so evocative and meaningful, and I love Paul’s voice on this one.

"Maggie Mae” Guitar was rocking, and I loved the vocals.

“I’ve Got a Feeling” Arrangement was very nice, and I like how it was more or less two different songs. I don’t really care for Paul’s screaming/singing, but overall a very nice song.

“One After 909” Loved this one; very fun, free and rocking song. The lyrics were great as well.

“The Long and Winding Road” Meh. Great vocals, but kind of boring and uninspired.

“For You Blue” Repetitive and a little bit blah.

“Get Back” Liked the vocals and guitar; quite a fun song.

This album was pretty uneven. Some songs I loved, and some not so much.

So I’m finished listening to the entire discography of the Beatles. I’m very glad I chose to do this, as I have slowly come to discover one of the best musical groups of the century. Throughout this experience, I’ve been kicking myself for not doing this sooner; some of these songs are the best I’ve ever heard. “Helter Skelter”, “Happiness is a Warm Gun”, “I Am the Walrus”, “Here Comes the Sun”… I could go on listing my favorite songs all day, but I don’t think I could ever pick just one. Listening to so many magnificent songs and discovering them for the first time has honestly changed my life. Whether you discovered them while they were first starting out or now, 50-odd years later, you never forget the experience. The music is just as relevant, just as chock-full of talent and creativity as it ever was. Before this, I always wondered what the big deal with the Beatles was…a four-man musical group couldn’t possibly have the effect it seems to have on so many people, could it? It can, it does, and it has. I truly hope that people 500 years from now will still have access to the Beatles, and be affected by the music like so many others before them.

I’m very glad that I documented my thoughts on the songs as well, as I would never be able to remember what I thought about them all. Thank you all for reading my comments on this thread, though occasionally I couldn’t think of anything better to say than “awesome guitar” or “great vocals”, which should be a given. Thanks again for coming on this journey, and especially to NineToTheSky for encouraging me to start this.

And remember, folks…all you need is love.

Thanks for letting us come along for the ride!

(What’s next? There are plenty of other seminal artists/bands whose back catalogs are worth catching up on. :))

For what it’s worth: the band considered the 4 songs of theirs on Yellow Submarine to be throwaways, and the rest was movie music composed by their producer; Hey Jude is just a compilation of singles; Let It Be was recorded live in a film studio (and partially on the roof of their offices in London) and was edited and arranged by noted crazy person Phil Spector with uneven input from the band. (McCartney hates it, enough to have put out a totally different version a few years ago.) And although Abbey Road was released before Let It Be, it was the last record they recorded.

I was thinking of Pink Floyd and Queen. I only know a few songs from each, but always wanted to give the rest of their songs a listen. My problem is that I listen to “hit” stations on the radio most of the time, so I only know the most popular songs from various bands. As a for instance, I listened to The Killers discography a few weeks ago and loved it, when before I had only heard “Mr. Brightside” and “Somebody Told Me”. In other words, I’ve been trying to expand my musical horizons a bit, which is why I started listening to The Beatles.

Right; so “The End” really was.

Stauderhorse:

I’ve lurked through this thread, but I have to tell you it was one of the more enjoyable threads I’ve followed in ages. I’ve been a Beatles fan since I was a kid, but following along as someone else discovers their music song by song was kind of like experiencing them all over again.

After each one of your posts, I put on the CD you were commenting on, and listened to it from start to finish, trying to put myself back in the head of someone who had never heard it before. That was fun.

So, thanks very much for doing this, and for not dropping the project halfway through.

As for their legacy, I don’ t think there can be any question that the Beatles will be looked at as the peak of 20th century pop/rock music by historians hundreds of years from now. In the 1600’s to 1800’s, there were hundreds of people making classical music at any given time. Some of them made names for themselves that lasted for years or even a decade or two, but most have faded into obscurity for all but the most devoted musical historians. Only a handful survive in the public imagination as representatives of that era. Bach, Beethoven, a few others. The Beatles will be in that category. In the year 2300, when the average person thinks of the music of the 20th century, they’re going to think of the Beatles, and Elvis, and a few more. But the Beatles will be #1. They’ll be the group everyone has heard of, and I’ll bet people still listen to their music.

There’s going to be another Beatles revival coming up soon, like the one we had in 1995 when Anthology was shown on TV. In the fall, the entire Beatles catalog is being re-released in new remastered formats, and Rock Band: The Beatles will be released. I’ll bet the Beatles go through another big wave of popularity as the current young generation discovers them.

I was going to post the exact opposite. You have the once in a lifetime experience of listening to the Beatles back catalog for the first time! Take the songs on their own terms: for how they sound, for how they affect you, for how they move you. A lot of classic rock fans get caught up in the backstory, and meaning, of each song, like that’s at all relevant to why these records are the cultural artifacts that they are.

I, for one, think that the tales of John’s extramarital affairs have nothing at all to do with the brilliance of Norwegian Wood, but if you talk to a rabid Beatles fan, that’s all that song is remembered for. It’s like many have forgotten what made the music great in the first place.

Anyway, avoid all that. Buy the albums (and definitely go for the American versions, there is some great sequencing on the earlier LPs, especially “Yesterday and Today”), sit in a room and just listen. Knowing that Paul played drums on “USSR”, or that “Helter Skelter” was an attempt to out-Who the Who, for example, has absolutely nothing to do the pleasure of hearing the White Album.

-Piker

And here’s another clue for you all… The walrus was Paul.

I’ve always considered Ticket to Ride to be the first heavy metal song.

I read a tongue-in-cheek criticism of this song that said George hadn’t yet mastered making the arrangement match the lyrics, pointing out that he repeats the phrase “Don’t be long” 42 times :stuck_out_tongue:

I’ve heard a number of times that they actually got the Beach Boys to contribute backing vocals on this track, but I don’t know if that’s true or not.

George’s good friend Eric Clapton on lead guitar, in case you didn’t know.

When they recorded it, they just kept playing nonstop for something like 30 minutes before finally ending it. Hence the multiple fadeouts/fadeins, and John (I think) exclaiming, “I’ve got blisters on my fingers!” at the end.

This was George razzing Eric Clapton about his sweet tooth. I always liked the drive of this song, and love the bombastic horns.

Ringo, I believe - from bashing away at the drums so much. Great song.

**Stauderhorse ** you missed one - Let It Be … Naked has alternate versions of the Let It Be songs, without the crap added by Spector. A lot of this has circulated as a bootleg for years. It doesn’t have Dig It, but it does have Don’t Let Me Down. I much prefer it to the original Let It Be.

BTW, let me just add to everyone’s praise of your posts.

**Staudehorse **- congratulations for getting to the end of the road. I have found your opinions fascinating, and it’s made me revisit the Beatles, too.

I am, as you know, a huge Beatles fan, but it has brought home to me that not everything they did was great: most, but not all. Beatles For Sale and Let It Be were disappointing, not necessarily because of the song choices or the playing, but because those two albums were missing the spark that made the Beatles special.

Just a nitpick: I Me Mine was the last song the Beatles (well, George, Paul and Ringo) recorded, in January 1970.

Finally, I would love you to go through all of Pink Floyd’s recordings. They’re my favourite group. Like the Beatles, they went through distinct phases: the Syd Barrett era, the Saucerful to Meddle period (their most interesting, IMO), the Roger Waters dominated period (Dark Side to The Final Cut) and the David Gilmour revival. What makes the Floyd notable is that even their failures were interesting.

I’d forgotten how many cover songs the Beatles were doing on their early albums.

Speaking of covers, what about the covers that other people have done of Beatles’ songs? That’s a genre in itself!

Weeelll, not quite… if you wanted to be a real completist, you could check out the following:

  1. The 3-volume “Anthology” is not a repackaging of previously released material, but a combination of live cuts, alternate versions, and several previously unreleased studio outtakes, a few of which are actually quite good. (Plus the two “reunion” songs.)

  2. “The Beatles at the BBC” is a collection of live-in-the-studio recordings performed for radio shows ca. 1963-65. A lot of it is just carbon copies of their studio stuff, but there are also a lot of cover tunes that are not found anywhere else, and some of those are as good as songs that appeared on the early studio albums. The sound quality is mostly excellent.

  3. “The Beatles Christmas Album” is a collection of short flexi-discs the Beatles recorded for their fan club members from 1963 to 1969. The first few are pretty perfunctory, but starting in 1966, the boys began to take more of a creative interest, combining offbeat comedy skits and snatches of songs into rather surreal, almost Monty Python-esque pastiches.

  4. “The Decca Audition” is a tape of their unsuccessful audition for Decca on New Years’ Day 1962. It’s a rather odd selection of songs, but some are charmingly done, and there are a couple of originals that the group never subsequently recorded (mainly due to the fact that they weren’t quite up to their later standards).

  5. “The Beatles at the Star-Club”, while very poorly recorded, is a valuable historical document of their pre-fame days on the Reeperbahn in Hamburg. That’s where they learned to put on a show, and they were, by all accounts, much rawer and wilder than anything anyone saw of them after they broke out of Liverpool. The record contains a number of covers they never recorded otherwise. If you play this really loud, you get a good idea of what all the excitement was about.

  6. Also, there are a few B-sides released late in their career that I think you may have missed: “The Inner Light” and “You Know My Name (Look Up the Number)”.

There’s a lot of other stuff out there as well, such as the “Esher demos” of the White Album, and the many compilations of mostly-sloppy stuff recorded during the “Let It Be” rehearsals.

On a somewhat unrelated note: I noticed that you liked the start of both “Flying” and “Sun King”. I wonder if you are familiar with the music of Brian Eno… his “middle period” stuff included a lot of that sort of dreamy, evocative sound. If you’re not familiar with it, you might want to check out his album “Another Green World”. One of my all-time favorite albums (and I say this as someone who owns about 3000 albums).