Some Christians have threatened to come to Vienna and blow up museums after a museum there shows an artwork depicting Jesus and the disciples having an orgy on the table where the Last Supper was served. So much for the idea that only Muslims threaten to do such things…
Okay, yeah, I threw that out for a laugh, but I actually do…of course, if the average Christian saw all the stuff I have on my hard drive, that movie would be the least of their shocks, I’m sure…
A big boo and a hiss to Cardinal Christoph Schoenborn for knuckling under and removing the Last Supper orgy picture. Kudos to Jyllands-Posten and other papers for reprinting the Muhammad cartoons when new threats regarding them came out.
Fifth paragraph:
It would. I’d love it if nobody ever physically attacked anybody over any artwork, no matter how offensive to their religion. I’d prefer it if nobody ever threatened violence over any artwork even if it is offensive to their religion, but no actual violence would be a huge step in the right direction.
I believe you can begin to draw moral equivalency once there are large demonstrations across a variety of Christian nations (or nations with a majority of Christians in them), Christian preachers condemning the artist to death, and calls by Christian leaders to outlaw such pictures.
Have to (shocking, to me) agree with Mr. Moto on this one. The question isn’t whether or not Christians and Muslims can find some art that ridicules their beliefs insulting, or that some subset of these will threaten or even respond with violence. The question is, what is the scope of such a reaction, and is it tempered with a legitimate regard for free speech issues?
I don’t have much of a look into overseas Muslim culture other than what a managed media tells me, but I’d say the Muslim reaction to the Danish cartoons was of a different character than the debate being described in the article. Muslim voices seemed uniformly negative–at least I didn’t hear any Muslim representatives defending the cartoons–and there seemed to be a genuine bewilderment that anyone would publish such cartoons for any reason other than to commit sacrilege against the Prophet. Moreover, it seemed Muslim leaders like Ahmadinejad in Iran used the cartoon to score political points with their subjects, who have been fed a steady diet of Western demonization. Not to sasy that doesn’t go on in the West (cf. Rudy Giuliani’s public denunciation in 1999 of a New York artist’s depiction of the Virgin Mary using dung), but it doesn’t seem to be as widespread or calculated as in Muslim nations.
I realize this post may come off as insulting to followers of Islam, and for that I apologize. But there is clearly a stronger link/influence between Islam and government in the Muslim world than between Christianity and government in the West (that doesn’t mean there is none, just that the Western one is less pronounced; I doubt, for example, you’ll find anything truly equivalent to the Islamic fatwa in modern Christian practice). I’ll also say that certain Western values that are key to a sound democracy are not as core to the Muslim experience (at least as practiced in the Middle East), and one of those values is free speech.
Again, that’s not intended as an insult, just an opinion based on the facts as I have them. And it’s not to say democracies in the West (and even rare Muslim democracies like Turkey) don’t struggle with the same issues. But there’s an order-of-magnitude difference in the two reactions to the Austrian artwork and the Danish cartoons.
Second had reports about “web postings” by “extremists”. Puhleez.
Anyone trying to equate this incident with the Mohammed cartoons is going to have do better than that. Besides, who ever said that Muslims were the only group to threaten violence over images they don’t like.
Exactly. The big difference from what I got out of the article is that the primary source of the outrage over the piece of art is where it was displayed, not that it was displayed at all.
And the article mentions that there were NO protests at either venue where the artwork was displayed.
Let’s play devil’s advocate and imagine, given the uproar over Muhammed with a bomb drawn on his head in a cartoon in a publication, that the very same depiction of Muhammed were displayed in a mosque in the Middle East.
No one has ever tried to hide Christianity’s past but this is the 21st century. The differences are substantial to say the least.
I think what makes this event unusual is the venue. Christians are pretty used to being rideculed but if I read the article correctly it is a musem that is owned/operated by a Christian church. That makes it pretty obnoxious. If that was my parish I’d be grabbing a pitchfork and marchin right along with the town-folk. Somebody got some splainin to do.
If it was just a nude chocolate Jesus at a hotel it would get a letter. But this is pretty in-your-face and deserving of code-pink liberal moon-babie behavior.
Did you overlook the following in the article? I thought it was explained rather concisely:
Bolding added by me for clarity as to who said what. Note that second-to-last sentence in particular.
Also note that, while I think people who spew vitriol about artwork they find offensive are dumb (or have misplaced priorities at best), I think that the OP’s equivalence is incorrect – threats of violence (by a small group of blog posters) are not the same as actual violence. When Austria’s embassy in another country is firebombed because of the art, then we can revisit this.