With Sampiro’s incredibly detailed and loving OP(s) on 1776, we’ve come to the last film in the current list. (Having skipped the penultimate film, Stormy Weather. I’d offer to write an OP, but I watched it over a month ago – should we make an effort to double back or what?)
There seems to be willingness, if not rabid enthusiasm, for continuing with another set of films, with everyone who’s expressed an opinion voting for #1 of these:
I. Politics of Transformation (male protagonists forced to take stock in their lives and the changes in themselves they’ve witnessed):
*All That Jazz
Cabaret
Cabin in the Sky
Guys and Dolls
Hedwig and the Angry Inch
It’s Always Fair Weather
The Music Man
The Pirate
Shall We Dance? *(1995 Japanese original, not the Richard Gere-JLo remake)
II. The Vagaries of Love:
*Bride and Prejudice
Bye Bye Birdie
Oklahoma!
Shall We Dance *(Astaire-Rogers)
The Umbrellas of Cherbourg
**Note: **This list is obviously shorter than the other two – if you’d like to nominate additional films for it, please do!
III. That’s Dancing!
Busby Berkeley:* Footlight Parade, 42nd Street, Million Dollar Mermaid*
Bob Fosse: All That Jazz, Cabaret
Gene Kelly: Anchors Aweigh, Brigadoon, Singin’ in the Rain
Michael Kidd: The Band Wagon, Guys and Dolls
Kenny Ortega: Dirty Dancing, Newsies, High School Musical
Hermes Pan: *Pal Joey, Silk Stockings, Top Hat *
Jerome Robbins: West Side Story
Twyla Tharp: Hair, White Nights
(Note, more than one film mentioned for everyone but Jerome Robbins – this is to give you an idea of who did what, for those of you for whom “choreographer” isn’t a fundamental category. We’d pick one film each.)
Shall I put together a schedule for List #1? (I’m thinking chronological order might be interesting.) And if so, will we be able to get some volunteers for writing OPs? I think it should be clear that an OP can be anything you want it to be – some people have done a slew of extra research, and some people haven’t – either way is fine, it’s just to set up a topic or two for discussion, so the thread can be something more than “I liked it,” “Yup, me too,” “Nah, I didn’t.” 