A lot of songs with hot-button lyrics have single tracks cut for radio, of course, eg Steve Miller’s “Jet Airliner” with “funky shit” changed to “funky kicks”, or the Knack’s “Good Girls Don’t” with the “sitting on your face” line removed.
Nowadays they seem to prefer just blanking the words, as in the radio version of Staind’s “It’s Been A While”, or Green Day’s “Boulevard of Broken Dreams” (which imho should be deleted altogether) which expurgate “the F-word”.
Would be very interesting to survey the protocols in various parts of the country for using these “radio friendly” versions vs the original album cuts on the air. Down here, the trend seems generally toward cleaned-up lyrics, although I heard the album track of “Good Girls Don’t” on a lunch hour “retro” show recently.
Also read an excerpt of a New York Times interview w/ Knopfler, who was pretty teed off at many folks’ inability to understand the device of creating a fictional character as a narrator. Seems he got a lot of crap from certain quarters over the “faggot” lines.
I always used to get pissed off when I heard this song, but someone told me it was a personal attack on David Geffin who screwed them over on some record deal. Doesn’t make the lyrics any less homophobic, but at least explained why they felt the need to put it in the song.
I don’t see any support for that theory. Clearly, the song is an attack on bigots. Knopfler had a negative attitude about the sentiments expressed by the narrator of that song. It’s a slam against the speaker himself, not against anyone who might possibly be identified as the “little faggot”.
Anecdotage.com cites a Rolling Stone interview with Knopfler:
There’s also this from Knopfler (translated back into English by Jose Brihuega from a Spanish reprint of a Ken Tucker / David Fricke interview w/ Knopfler in Time magazine (I don’t have the original, but this is consistent with other statements by Knopfler):