Songs where performer and character are different genders

Looking for songs that are narrated by a particular character. The narrator is explicitly a particular gender, but the performer is the opposite gender.

Excluding performances in drag, please. So, for example, Dame Edna singing a song with a female narrator wouldn’t count.

House of the Rising Sun is a song narrated from the point of view of an explicitly female prostitute. (It’s been the ruin of many a poor girl, and God I know I’m one).

It has been performed by male singers, including Bob Dylan.

Fernando, by Abba, narrated by an old man reminiscing with a friend about a battle they fought in their youth. Well, it doesn’t explicitly state the narrator’s gender, but I think a male is more likely. It is, however, sung by the girls. The verses at least

Leva’s Polka is, according to Wiki “sung from the point of view of a young man, about a woman called Ieva (dialectal for the name Eva or Eeva in standard Finnish) who sneaks out and dances the polka with him all night.” However, in a particularly noteworthy performance, the lead singer is female.

“Angel from Montgomery” is a rare thing being written and sung by a 25 year old man about the experience of being a middle aged woman.

Presumably it speaks to the experience well given that it is a song much beloved amongst middle aged women.

It was made famous and probably most associated with Bonnie Rait but Prine wrote it and sang it originally.

Fast Car by Tracy Chapman is about a female character (“I work in the market as a checkout girl”), but was covered by Luke Combs without any changes to the lyrics.

The Beatles covered the Shirelles’ “Boys.” They changed the “I” to “my girl” in the verses, but kept the titular “boys” in the chorus. Not really a change in perspective, though — it sorta implies they’re singing about “boys [like me],” while the Shirelles sang about “boys [like him].”

In Luke Combs’ version of Tracy Chapman’s “Fast Car”, he sings the line “I work in a market as a checkout girl” intact.

This causes some snickering in the country music community, but Combs defends his choice, stating that he wants to be respectful of the work.

mmm

ETA: Oops, @engineer_comp_geek beat me to it.

Another John Prine composition: Bette Midler’s cover of “Hello in There” keeps the original perspective from an elderly man, I’m pretty sure. Most of the lyrics could be from either the husband or the wife, but I think he addresses the wife by name. I’ll check now.

ETA: I’m wrong, Bette changed it to “my husband.”

Joan Baez singing The Night They Drove Old Dixie Down.

I don’t know if this counts, but Sixpence None The Richer did a cover of There She Goes, a song originally sung by a male about a female. But there is nothing in the song that explicitly indicates that the singer is male. The Sixpence None The Richer version could easily be a female singing about a female, and in more recent years has often been interpreted as such.

Whatever gender me in Me and Bobby McGee had, either Kris Kristofferson or Janis Joplin had a different one.

Really? I thought Nico sang the original - a female singing about a female.

R.E.M. covered it as well - a male singing about a female.

It’s originally by a British Band called The La’s.

ETA: The Velvet Underground song There She Goes has the same title but is a different song.

Oh!
And…I was wrong again. Lou sings the Velvets’ cover.
And…we’re taking about two different songs with the same name. I’ll shut up now.

By the way, previous thread:

Blossom Dearie’s cover of Dave Frishberg’s “I’m Hip” keeps the lyric “you notice I don’t wear a beard.”

Stormy Weather (1933). This is a torch song written by Harold Arlen and Ted Koehler and originally sung by Ethel Waters, but since then has been sung by many a male singer (e.g. Duke Ellington, Frank Sinatra, Bob Dylan, etc.). It is easy to change because you can switch one word and then it becomes about woman instead of a man. I know I sang it after first hearing it sung by women (or vice versa) as part of a choir ensemble which is why it immediately came to mind when I saw this topic.

//i\\

My favorite version is by Leo Watson:

“Don’t know why
I can’t get no apple pie.
Stormy weather…
Gee these pork chops taste like leather….”

Exactly the same happened when Susanna Hoffs (together with Matthew Sweet) wonderfully covered Rod Stewart’s “Maggie May”.

A young Bing Crosby sings “There Ain’t No Sweet Man That’s Worth the Salt of My Tears”:

You can decide whether or not it counts, since the pronouns are changed, but “The Lady Is a Tramp,” famously recorded by Frank Sinatra, was written (in the context of the Rodgers and Hart musical Babes in Arms) for a female character. Everywhere Frank sings “she,” it was originally “I.” The “Lady” of the title is meant to be the narrator herself.

The frontmen of the bands Saves The Day and Say Anything, Chris Conley and Max Bemis, have a side project called Two Tongues that consist entirely of duets. Well, some of them are more like dual vocals instead of the traditional duets where the singers are responding to each other, but a lot of them are duets. Some of those, in turn, don’t actually specify the gender, but in some of them Chris, with the higher voice, is singing as the woman. So they made several original songs with the gender switched from the beginning.