If you’ve ever played DDR you probably noticed that Captain Jack references himself in almost every song.
Anthrax by Anthrax, although curiously the word “anthrax” is not mentioned in the song lyrics.
Set the World Afire by Megadeth - “The arsenal of megadeth can’t be rid they said”
Exodus by Exodus - “you won’t hear a sound until my knife’s in your back, the exodus attack”
Faster, Harder, Scooter by Scooter.
Also Wollt ihr das Bett in Flammen sehen? by Rammstein.
In or Out by Ani DiFranco
He says,
“Call me, Miss DiFranco,
if there’s anything I can do”
I say,
“It’s Mr. DiFranco to you”
Janis Ian’s “God and the FBI” is entirely autobiographical, as is Mary Gauthier’s “I Drink” and Steppenwolf’s “The Wall”. I don’t know if they count, though, as none of them directly reference the band.
Freezepop, a Boston synthpop band, has a song called “Freezepop Forever”.
Also, Canadian folkies Moxy Fruvous have “The Ballad of Cedric Fruvous”, which is sort of a reference…
You Never Even Call Me By My Name - David Allen Coe
Even though this is a Steve Goodman song, David Allen Coe’s version mentions himself and Steve Goodman.
“Hartley Quits” by John Mayall’s Bluesbreakers: written by guitarist Mick Taylor (who also played with the Rolling Stones), it’s an instrumental whose title refers to drummer Keef Hartley leaving the band.
On their American-version album Gossip (my first ever CD – it cost $18), Paul Kelly and the Messengers included the song “Don’t Ever Harm the Messenger.”
As a former rabid fangirl, I feel I must mention Everybody (Backstreet’s Back) by the Backstreet Boys.
Very sorry for that.
Refused - Refused are F*ckin Dead.
Lagwagon - Lagwagon
Pennywise - Pennywise
the hives got one too i forget what its called though. punk bands love doing this.
Refused - Refused are F*ckin Dead.
Lagwagon - Lagwagon
Pennywise - Pennywise
the hives got one too i forget what its called though. punk bands love doing this.
But if you listen to the record, Wolfman Jack is very much a performer on it. In fact, it ought to have been credited “The Guess Who AND Wolfman Jack”
And some chick! 
Wham Rap by Wham!
Sweet Baby James by James Taylor
“Lev Tahor”, on Lev Tahor’s second album.
Very nice song, and very pretty synesthetically.
Two more spots in Quadrophenia: At the beginning of “Cut My Hair”, there’s a snippet of “The Kids Are Alright”; at the end of “Sea and Sand”, Roger riffs on the lyric from “I’m The Face”.
We’ve determined previously that the champion in this category is Focus, who had songs titled “Focus,” “Focus 1,” “Focus 2,” “Focus II” (different song) “Focus III,” “Focus IV,” “Focus V,” “Focus VII” (No, I don’t know why there was no “Focus VI”), “Focus 8” (Roman numbers got boring, I guess), “Focus 9,” and “Mother Focus.” There were also a couple of “Focus Medleys.”
“What’s Your Favorite Color?” by Living Colour references the band’s name in every couplet.
“It’ll Chew You Up and Spit You Out” by Concrete Blonde.
“Wham! Rap” by Wham!
“Rehumanise Yourself” by The Police (this one’s a bit cheeky, it’s not self-referential in the slightest)
“Glass Onion” by The Beatles namechecks Paul
“Dear Michael” by Michael Jackson
“Kool & The Gang” by Kool & The Gang
“Goin’ Back to Indiana” by the Jackson Five
“Transistor” by 311
“Backstreet’s back, ALL RIGHT!”