So what are you saying? You knew that but just didn’t understand (or didn’t care) what the thread was about? Metaphors are not at all the same thing as factual inaccuracies, and until you got involved, posters were respecting the difference.
I think I’ve heard that in Jonathan Coulton’s Mandelbrot Set, when it comes down to the chorus, the mathematical definition of the set he provides is actually for a Julia Set.
More to the point…
[QUOTE=Johnathon Coulton]
Mandelbrot’s in heaven
At least he will be when he’s dead
Right now he’s still alive
[/QUOTE]
Is not. WHAT THE HELL, Johnny-C?
That’s only one of his sins. He seems to be describing the St. Valentine’s Day Massacre, even though the first sung lyrics are “In the heat of a Summer night…” Maybe Capone had another big gun battle we don’t hear about so much?
He, too, heard the lambs screaming…
“Seven Nation Army”:
Everyone knows about it
From the Queen of England to the hounds of hell
There’s no queen of England. Mind you, I doubt there any hounds of hell either, so…
But that wouldn’t have rhymed…
Earthquake…
From The Man Who Shot Liberty Valance:
From the moment a girl gets to be full-grown
The very first thing she learns
When two men go out to face each other
Only one returns
I learned to keep my knees together and always take extra money for cab fare.
True, but let’s not blame CCR. The geographically challenged Cotton Fields has been a folk standard since the late '30s or early '40s and has been recorded numerous times before (and after) Credence.
Also, killing frosts are something that happens in late spring or early fall, not the dead of winter. That’s what makes it a “killing frost”; plants are growing when it occurs.
I shall commit seppuku at once.
R.E.M., “Laughing”: “Laocoön and her two sons”
Though, to be fair, that was during the period when Stipe was writing more for sound than sense.
I believe that period lasted roughly 1979-2012.
Always remember, the internet is serious business.
Ah, that song drives me nuts. The mother’s deaf and the father’s blind? How do they communicate?
Both cloying and impossible.
The Rock Island Line, she does *not *run down into New Orleans.
Even if this is technically true, mistakes like this belie the fact that the songwriter doesn’t know what he’s talking about. Nobody who is familiar with Detroit would talk about “South Detroit.” Same thing with “East Philadelphia.” Even if you could pull out a map and find an east side to Philadelphia, nobody who is familiar with Philly would do so.
Uh, no, it doesn’t work that way.
Same way someone does who is both deaf and blind, I’d imagine. Generally they’d use sign language in the palm of the hand.
The Kinks: The only time I feel alright is by your side…
That’s not a time, dude. That’s a place. Always makes me grit my teeth.
Steve Perry finally weighs in on this troublesome topic.
Steve Perry
I ran the phonetics of east, west, and north, but nothing sounded as good or emotionally true to me as South Detroit, he says. The syntax just sounded right. I fell in love with the line. It’s only been in the last few years that I’ve learned that there is no South Detroit. But it doesn’t matter.